The Sanskrit drama

by Arthur Berriedale Keith

Construction, immediate, of an object by artificial means (saṁkṣipti), [327].

Contemplation, as an allegorical character, [252].

Contentment, as an allegorical character, [252].

Contest, as essential element of the drama, [45], [278].

Continuance (avalagita), [328].

Continuation scene (an̄kāvatāra), [302].

Contractions, irregular, in Bhāsa’s Sanskrit, [120].

Cora Indians, dramatic ritual of, [18], [19].

Corpse, revival of, as dramatic motif, [259].

Cosmopolitan character, ascribed to the Mṛcchakaṭikā, [139], [140].