Someçvara, Kīrtikaumudī, [248], n. [a]7].
Somila, see Saumilla.
Song, in relation to the drama, [12], [16], [20], [25], [44], [49], [50], [160], [338], [350], [351].
Sorrow (çoka), as the basis of the pathetic sentiment, [323].
Sound, figures of (çabdālaṁkāras), [331].
Sound effects, in Bhavabhūti, [202], [203];
Bhaṭṭa Nārāyaṇa, [218];
Murāri, [230];
Rājaçekhara, [236].
South Indian recension, of the Vikramorvaçī, [151];
the Çakuntalā, [154], [155].
Spectators, [35]–7, [369]–71;
relation to actors, [316], [317], [318], [320], [321], [322].