Spirit, as an allegorical character, [251].
Stage, [359];
matters excluded from representation on, [300], [301].
Stage directions, [86], [113], [364], [366].
Stage properties, [365], [366].
Stages of the development of the action (avasthā), [297]–9.
Stanzas, see Lyric Stanzas.
Sthāvaraka, servant of Saṁsthānaka, [141].
Strength (ojas), of style, [331].
Struggle of conscience, unknown in the Sanskrit drama, [279].
Style, of Bhāsa, [114]–20;
Mṛcchakaṭikā, [[390]][136]–9;
Kālidāsa, [160]–5;
Harṣa, [177]–81;
Mahendravikramavarman, [185];
Bhavabhūti, [196]–203;
Viçākhadatta, [209]–11;
Bhaṭṭa Nārāyaṇa, [215]–19;
Yaçovarman, [221]–3;
Murāri, [230], [231];
Rājaçekhara, [236]–9;
Kṣemīçvara, [240];
theoretical views of qualities of, [331]–3, [334];
see also Gauḍa style, Vaidarbha style.