Tārkṣya, [267].
Tears, of the auditor, [321], [368].
Technique, of Açvaghoṣa, [82]–5;
Bhāsa, [110]–14;
Kālidāsa, [126], [160];
Yaçovarman, [222], [223];
Rājaçekhara, [239];
Prahlādanadeva, [265];
certain irregular dramas, [270]–5;
according to the writers on theory, [296]–305.
Tejaḥpāla, brother of Vastupāla, [248], [249], [250].
Ten qualities of style, [331], [332].
Ten stages of love, [323].
Ten types of drama, [345]–9.
Terror (bhaya), as the basis of the sentiment of terror, [323].
Terror, sentiment of, [192], [278], [324], [325], [332].
Thārāpadra, [254].