Theatre, buildings, [67], [358]–60.
Theft, as an allegorical character, [255].
Theories of the Secular Origin of the Drama, [49]–57.
Theory of the drama, [290]–351;
influence of, on dramatic practice, [352]–4;
possible influence of Aristotle on, [355], [356].
Tibet, drama in, [44].
Tiger, escape of, as dramatic motif, [188], [193].
Time, of performance of plays, [369];
unity of, [64], [65], [301], [355].
Tīrthakaras, invocation of the, [254].
Ṭodar Mall, Akbar’s minister, [247].