Grain and Chaff from an English Manor

by Arthur Herbert Savory

In my time there was a splendid service of express trains running from London to Worcester without a stop, and coming downhill into the Vale, through the tunnel and towards Evesham, the speed approximated to a mile a minute. I was talking to one of my men, a hedger, working near the line which bounded a portion of my land, when one of the express trains came dashing along and passed us with a roar in a few seconds. "My word," said he, "I reckon that's a co-rider." I was puzzled, but presently it came to me that he meant "corridor"; he had probably seen the word in the local paper without having heard it pronounced.

It was a treat to watch Tom's magnificent physique when felling a big tree, stripped to his shirt, with sleeves rolled up, and his gleaming axe slowly raised and poised for a second above him before it fell with the gathered impetus of its own weight and his powerful stress. Biting time after time into the exact place aimed at, and at the most effective angle possible, the clean chips would fly in all directions until the necessary notch was cut and the basal outgrowths, close to the ground around the sturdy column, were reduced, so that the cross-cut saw could complete its downfall with a mighty crash. There is always something sad about the felling of an ancient tree; one feels it is a venerable creature that has passed long years of unchallenged dominion on the spot occupied, and one can scarcely avoid an idea of its intelligence and its silent record of passing generations, who have welcomed its shade at blazing summer noontides, or crept close to its warm touch for shelter from the winter's chilling blast and the hissing hail.

Tom was always the leader of my team of mowers when the grass was cut, for, with the large staff I employed on purpose for the all-important hop-gardens, I never wanted, till towards the end of my time, to make use of a machine. The steady swing of his scythe, with scarcely an apparent effort, the swish, as the swathe fell beneath its keen edge, and the final lift of the severed grasses at the end of the stroke, all in regular rhythmic action, were very fascinating to watch. At intervals came a halt for "whetting" the blade, and the musical sound of rubber (sharpening stone) against steel, equally adroitly accomplished, proved the artist at his work, with a delicacy of touch which, perhaps in different circumstances, might have produced the thrills with which Pachmann's velvet caress or Paderewski's refined expression enchant a vast and rapturous audience.

As a land-drainer, too, I loved to watch him standing in the slippery trench, with not an inch more soil moved than was necessary, lifting out the decreasing "draws," and leaving a bottom nicely rounded exactly to fit the pipes, and finally the methodical adjustment of each pipe, with the concluding tap to bring it close to the last one laid. Draining is an art which taxes the ability of the best of men, for it must be remembered that, like the links of a chain, its efficiency is no greater than that of its weakest part.

When I had to arrange for the harvesting of my first hop crop, it was necessary to find a man who could be entrusted with the critical work of drying the hops, and Tom was the man I chose. I had my kiln ready, constructed in an old malthouse, on the latest principles, and in time for the first crop. The kiln consisted of a space about 20 feet square, walled off at one end of the old building, but with entrances on the ground and first floors. Beneath, in the lower compartment, was the fireplace, a yard square, and 16 feet above was the floor on which the hops were dried. Anthracite coal was used for fuel, the fire being maintained day and night throughout the picking—the morning's picking drying between 1 p.m. and 12 midnight, and the afternoon's picking between 1 a.m. and 12 o'clock noon. Tom was therefore on duty for the whole twenty-four hours, with what snatches of sleep he could catch in the initial stage of each drying and at odd moments.

The process requires great skill and attention; at first he and I, with what little knowledge I had, puzzled it out together, he having had no previous experience, and night after night I sat up with him till the load came off the kiln at midnight. A slight excess of heat, or an irregular application of it, will spoil the hops, the principle being to raise the temperature, very gradually at first, to 30 or 40 degrees higher at the finish. Hops should be blown dry by a blast of hot air, not baked by heat alone. The drier, of course, has to keep a watchful eye on the thermometer on the upper floor among the hops—Tom always called it the "theometer"—regulating his fire accordingly and the admission of cold air through adjustable ventilators on the outside walls. This regulation varies according to the weather, the moisture of the air, and the condition of the hops, and calls for critical judgment and accuracy. Often, tired out with the previous ordinary day's work, we had much ado to keep awake at night, and it was fatal to arrange a too comfortable position with the warmth of the glowing fire and the soporific scent of the hops. Then Tom would announce that it was "time to get them little props out," which, in imagination, were to support our wearied eyelids.

When we decided that the hops were ready to be cooled down, to prevent breaking when being taken off the drying floor, all doors, windows, and ventilators were thrown open and the fire banked up, and, while they were cooling, he went to neighbouring cottages to rouse the men who came nightly to unload and reload the kiln, and then I could retire to bed.

Tom was devoted to duty, and was so successful as a hop-drier that he soon became capable of managing two more kilns in the same building, which I enlarged as I gradually increased my acreage. In a good season he would often have £100 worth of hops through his hands in the twenty-four hours, sometimes more. He was the only man I ever employed at this particular work, and throughout those years he turned out hops to the value of nearly £30,000 without a single mishap or spoiled kiln-load—a better proof of his devotion to duty than anything else I could say.

He was a very picturesque figure when, "crowned with the sickle and the wheaten sheaf, Autumn comes jovial on," and he was cutting wheat, his head covered with a coloured handkerchief, knotted at the corners, to protect the back of his neck from the sun, which must have been much cooler than the felt hat—a kind of "billycock" with a flat top—which he habitually wore. I have noticed that the labourer's style of hat is a matter of great conservatism, probably due to the fancy that he would "look odd" in any other, and would be liable to chaff from his fellow-workers.

Tom had a tremendous reach, and got through a big day's work in the harvest-field, but nearly always knocked himself up after two or three days in the broiling sun, developing what he called, "Tantiddy's fire " in one forearm; this is the local equivalent of St. Anthony's fire, an ailment termed professionally erysipelas, but I have never heard how it is connected with the saint.