Bakers and bakeshops [[p. 388]]: Blümner, op. cit., vol. 1, pp. 1-88; Marquardt, op. cit., pp. 414-424; Fulvio, Delle fornaci e dei forni pompeiani, Pompei e la regione sotterrata dal Vesuvio nell' anno LXXIX. pp. 273-291; de Rossi, Antichi mulini in Roma e nel Lazio, Ann. dell' Inst., vol. 29 (1857), pp. 274-281; Mau, Su certi apparecchi nei pistrini di Pompei, Röm. Mitth., vol. 1 (1886), pp. 45-48, and pl. 3. Processes of bread-making: best illustrated in the reliefs of the monument of Eurysaces, Rome, shown in Mon. dell' Inst., vol. 2, pl. 58; cf. C. I. L. I. 1013-1015; Jahn, Sepolcro di Eurisace, Ann. dell' Inst., vol. 10 (1838), particularly pp. 231-248. Loaves of bread represented in paintings: Helbig, Wandgemälde, nos. 1501, 1661 ff.; see, e.g., Museo Borb., vol. 6, pl. 38, vol. 8, pl. 57. Remains of loaves found at Pompeii: Fiorelli, Gli scavi di Pompei dal 1861 al 1872, p. 172.
CHAPTER XLVIII. THE FULLERS AND THE TANNERS
Appliances and processes: Blümner, op. cit., vol. 1, pp. 155-178, 257-287. A fuller description of the tannery, with illustrations showing the implements discovered, is given by Mau, Bull. dell' Inst., 1874, pp. 271-275, 1875, pp. 18-25.
No soap in Pompeii [[p. 393]]: Hofmann, Ueber vermeintliche antike Seife, Wiener Studien, vol. 4 (1882), pp. 263-270.
Pictures illustrating the fullery [[pp. 394]-[395]]: Museo Borb., vol. 4, pl. 49, 50; Helbig, Wandgemälde, no. 1502; Jahn, Abhandlungen der königl. sächsischen Gesellschaft des Wissenschaften, philologisch-hist. Classe, vol. 5 (1870), pp. 305-311, and pl. 4.
CHAPTER XLIX. INNS AND WINESHOPS
Roman inns: Friedlaender, Sittengeschichte Roms, Edit. 5, vol. 2, pp. 33-39, Edit. 7, vol. 1, pp. 311-325.
Inscriptions: caupones, copones, C. I. L. IV., see Index, p. 256; of Sittius, C. I. L. IV. 806, 807 (for the picture, see Helbig, Wandgemälde, no. 1601); of the inn, Ins. VII, XII, C. I. L. IV. 2144-2164.
Pictures illustrating the life of the wineshop [[p. 403]]: Fiorelli, Pomp. ant. hist., vol. 2, p. 204; Museo Borb., vol. 4, pl. A, vol. 5, pl. 48; Helbig, Wandgemälde, nos. 1487, 1504.
Selling of wine mixed with water [[p. 404]]: a stock charge against ancient innkeepers; Trimalchio (Petr. Sat. XXXIX) makes out that these were born under the sign Aquarius, 'the waterer.' For the wineshop in which the graffito was found, see Mau, Bull. dell' Inst., 1874, pp. 252-256.