The Masques of Ottawa

by Augustus Bridle

A writer who at various periods of time was very intimate with Laurier thinks he was a man of deep emotions. This may be doubted. A man who talked so easily and was so exquisitely conscious of himself could scarcely be considered spiritually profound. Other men and events played upon him like the wind on an Aeolian harp. He was tremendously impressionable; and by turns grandly impressive. A personal friend relates how a man with some experience as a critic of drama—probably himself—went to see Laurier by request for a talk on the political situation; how Laurier invited him to a chair and immediately took one beside him an inch or two lower so that his own face was on a level with the visitor's; how for some minutes he sat feeling the power of this actor who tried to persuade him to run as a Liberal candidate, and when he rose again seemed taller and more aloof than ever.

That is acting. Some other man might have done the same thing and made no impression. Laurier could perform obvious tricks with a consummate grace. And he performed many. There never was a moment of his waking life when he could not have been lifted into a play. His movements, his words, his accent, his clothes, his facial lineaments were never commonplace, even when his motives often may have been. He was Debussy's Afternoon of a Faun; poetry and charm all the days of his life.

During the ridiculous deadlock on the Naval Aid Bill, when his supporters went so grotesquely far as to read the Bible to talk out the Bill, he was away from the House for a week, reported as quite ill, in reality having a very delicious time at home reading light literature. The day he came back the news of his coming was heralded to the Commons. The benches were packed. Not till they were all full, every Minister in his place, every page at attention and the House like a pent-up Sabbath congregation, did the then leader of the Opposition make his grand, swift entry, bowing with courtly dignity to the Speaker and taking his seat amid a claque from his supporters, in which even the Tories felt like joining.

Sir Wilfrid Laurier had the infallible knack of adjusting his makeup, not always himself—to any occasion from which he could extract profitable publicity, or upon which he could do some charming thing for somebody else. He is reputed once to have worn overalls among a gang of timber-jammers, but he felt rather ridiculous and soon took them off. Interviewed abed in his private car at a railway station by a political friend, he suddenly became conscious of his pyjamas and rolled back into the bedclothes with a smile. He was not happy in deshabille. Entertained at an arts luncheon in 1913, he made the most of a very Spartan meal, consented with much dignity to exchange his plate of cold beef for another man's cold mutton, listened with great gravity to a short programme of music, asked the names of the composers and the players and spent most of his brief speech denying that he was anything but a philistine in art, and pledging himself if ever he was Premier again to do more for Canadian art than had ever been done before. In conversation at a friend's house with a stranger he claimed that at college he was always a "lazy dog." Visited once by an agent who tried to sell him a phonograph, he consented to play the flute for a record; after listening to the record and being assured that it was a faithful replica of his own performance and asked if now he would not buy the machine, he answered gravely, "No, I think I will sell the flute." This story may be apocryphal, but it is delightfully true to character.

On one of the thousands of "occasions" in a career that was almost perpetual drama he was buttonholed in his office by an American reporter who, having been warned that the Premier of Canada never gave interviews, boasted that he would break the rule. After half an hour the American reporter came out to his confreres of the press gallery, sat down at a typewriter, lighted three or four cigarettes, nervously aware that he was being watched for the forthcoming article, and after spoiling a number of sheets and tearing them all up he confessed, "Well, boys, I thought I was pumping Laurier, but it's a cinch he spent most of my time pumping me."

To the Liberal press gallery men he was as much a captain as he was to his followers in the House. He gave them daily audience during the Session, very often in a group, and at such times he usually asked, "Well, boys, what's the news?" He wanted good news; and many a reporter tricked up the truth now and then to give it to him. Informed once that "Bob" Rogers had vehemently in his office denied any cabal in the Cabinet against the Premier he swiftly replied, with that splendid, satirical smile, "Well, the fact that Bob Rogers says there is none would convince me that there probably is."

Laurier was the kind of man to whom other people naturally happened. He was a human solar system in which many kinds of people wanted to gravitate, even to the ragged little girl on the prairie who picked him the wild flowers that he wore in his coat as far as she could see him on the train platform. He discovered early in life that he could interest other people much as some men find out they can juggle or sing. It was a fatal gift. Laurier was far too long in this country, much too interesting. Women in Ottawa could make delirious conversation out of how this man at 72 got into a taxi. He was more phenomenal to English than to French. He never cultivated Paris and would not have been at home there. At Imperial Conferences and Coronations he was an Imperial matinee idol in London. In Ontario he was regarded with much the same awe as the small boy views the long-haired medicine man. To the Quebecker he was the grand magic; until Bourassa came, irresistible, incomparable on stage. But Laurier had no great intensity; no Savonarola gift to sway a crowd; he just charmed them; when they came to remember his song—what was it? Earlier in life he was a sort of Ulysses, led by magic. He loved the petit ville of Lin where he was born. But it was too small for him. He was lured into studies, to college, to the bilingual university McGill, to law, to discourse with learned Anglo-Saxons, to the study of British Government by democracy, to the translation of himself into English. The translation, which was almost a masterpiece, made him the first and perhaps the last French Premier of Canada, and in many respects the greatest Premier we ever had.

This alone was something. Speaking their own tongue, Laurier could impress the English. He could tour Ontario and feel grandly at home in the Liberal shires, among the men of the Maple Leaf. He could follow one of his two transcontinentals up the Saskatchewan, and to multitudes of many nations led from Europe by his own immigration policy conduct a Pentecost for the two new Provinces. He could fling magic over Manitoba, and on the Pacific he had power. But in Nova Scotia he could never equal the memory of Joseph Howe, a greater orator than Laurier.

What this man's sensations were as he studied himself in the art of politics may be compared to what an English Canadian of similar temperament would feel like if he could fling a spell over Quebec. Laurier made a second conquest of Canada. He took a great Cobden party from Edward Blake and made it almost protectionist, Imperial and his own. He grafted a sort of Liberalism on to polyglot nationalities. In about the same tenure of power he created a personal ascendancy the equal of Macdonald's, in a nation almost twice as big and much more complex. In ten years he changed the face of Canada as no Premier had ever done before or ever can do again. He was looked at in Imperial London as though he were the joint picturesque descendant of Wolfe and Montcalm, with a mandate to make Canadian Liberalism an instrument of Empire, a bi-racial Government a final proof of the eternal wisdom of the British North America Act, and a measure of reciprocity a safeguard of Anglo-American entente.

So the son of the village surveyor from the tin-spired parish of St. Lin had made himself very nearly monarch of all he surveyed, with the notion that his right there was none to dispute. Sprung from the most backward province in Confederation, he pushed Canada forward with hectic speed, not counting the cost, nor caring what the end might be, so long as he died Premier of a prosperous nation and therefore happy.