My first actual sight of the country was typical of the cloudy weather which sometimes occurs in winter. Our little steamer was entering the great gap in the barrier reefs five miles out to sea, directly opposite to what is now the harbour of Port Sudan. Then it was only “Mersa Shêkh Barûd[1],” a saint’s tomb forming the only work of man for many miles. Grey sea and sky, blue mountains, faintly visible beyond the great dull plain, greeted me; later, the little tomb, built on a knoll of yellow coral rock at the entrance of the inlet, a mark for sailors, gleamed white out of all this greyness. Coming nearer still, one saw that the shore is composed of a low level line of yellowish cliffs, about six feet high, undermined below by the constant wash of the waves and sloping inwards at their summits. The shore is separated from the blue-black water by a broad band of green shallows, its outer edge defined by a thin white line of breakers. This is the edge of the fringing reef, which is practically uniform and continuous through the length of both shores of the Red Sea. We were sailing in a channel of fairly deep water partially protected from the waves of the open sea by the barrier reefs. These are a series of shoals and surface reefs, extending parallel to the shore, at a distance of one to five miles out to sea.
This, my first view of the country, may be taken as typical of the whole coast, variations in its uniformity being few. The weather that day was rather exceptional, for often in winter there is all the incomparable sparkle of sunshine and crisp breeze of Egypt, and the mountains, in this wonderful air, come nearer. There are days when I have seen distinctly all the light and shade of their precipices 80 miles away. I leave to your imagination the clearness, almost brilliance, of the great mountains seen at only 15 miles on such days as these. Even so they do not lose their dignity of form and distance, while revealing their vast precipices and terrible ravines, all bare rock, no vegetation, or even soil, to soften their outlines. Truly they are a “great and terrible wilderness.” So too is the plain, vast and uniform, all open to the sky—neither the few acacia bushes[2], nor the sparse tufts of apparently dead and almost woody grass serving to render it soft and pleasant to the eye, nor to cover its grey sand and gravel from scorching in the rays of the sun. Great and terrible, a naked savage land, every feature typifying thirst and starvation, so it became to me during my first visit. I was glad indeed to leave, half hoping I should never return.
In absence savagery and poverty faded, and I found myself picturing the mountains at sunrise, ruddy clear, the peacock blue of the deep sea with white waves, the light blues, greens, yellows, and browns of the coral reefs and the submarine gardens they shelter, and so back again to the mountains at evening, veiled now in the tender blues and purples of our hills at home, but behind them sunsets of indescribable magnificence. To memory came back that great plain, its openness, its sense of freedom wild as the sea itself, which indeed once gave it birth. I thought of how after a little winter rain there comes the spring; the sand is dotted with little flowers, weeds elsewhere perhaps, here brave conquerors of the desert; the shallow watercourses are full of grass. The acacia bushes become a tender green with a moss-like growth of tiny curling leaves giving out the sweetest of scents, recalling our larches at home. Later they are covered with flowers, like little balls of scented down on slender stalks.
Two of those transiently appearing plants, amongst the commonest of all, have special claims. One, the little “forget-me-not” of the desert, is loved individually for its pure white flowers, the other, for its effects when growing in mass. This latter has a peculiar form, a network of branches springing from a central stem, spread out horizontally over the sand, bearing cylindrical bright green leaves and tiny yellow flowers. The whole plant is of great delicacy, and would be unnoticed by the non-botanical observer but that it is sometimes so abundant as to carpet the ground like a bright green moss, which later is golden from the abundance of its tiny flowers. At the approach of summer, the heat of which has an effect like a touch of frost in England, its leaves take on splendid autumn tints. Once I landed on an islet circled with the low grey-green bushes always present on sand islands, within which I found a display of colour the beauty of which will enrich my store of memory pictures for the rest of my life. The principal scheme was a golden carpet of these tiny, almost microscopic flowers merging into a bright and tender green, and on to all kinds of orange browns and reds. Here and there another of the plants of this peculiar salt-loving flora gave patches of wonderful deep crimson. These vivid colours were thrown up by the dull grey green of the encircling bushy plants, which remain the same all the year round, and by clumps of a “grass[3]” which is of a deep glossy green colour like that of rushes, the whole being in a shallow depression in the dull yellow coral rock. All the transient beauty of changing bracken, moss, and heather was here, but with a wonderful quality of translucence under that blazing sun. As a background to all this imagine the bluest of blue seas and mountains seen over the water, and the picture is complete.
The only really conspicuous flower of the coast lands is a Pancratium, a bulb-plant with pure white delicately scented flowers about the size and something of the shape of the British wild daffodil. Unfortunately, this is rather rare, but after all size is but one quality out of many, and certainly not one essential to beauty or interest. An Abutilon is found in dry stream beds.
The existence of perennial, herbaceous vegetation, remaining green after the winter vegetation has shrivelled, in a country where there may be no rain at all for four years[4], a land of scorching sun and hot winds alternating with steamy damp days, where the wells are so salt that ordinary plants die at once when watered from them, where sand-laden gales may cut one’s face and grind the surface of glass, is a wonderful display of the power of adaptation to the most adverse conditions, a magnificent success in the struggle for existence. We have the development of a special flora, a selection of plants from many distinct families, which has acquired the ability to live in the salt sands and in crannies of bare rocks by the sea. The commonest of these are two plants which have special beauties. One, Statice plumbaginoides, grows generally on bare coral rock, and has large flower-heads of a beautiful pink colour, like sprays of heather contrasting with its dark green leaves. The other, Suaeda volkensii, which grows only in sand, has nothing that looks like leaf or flower, but seems to consist of branched rows of translucent green beads. The special beauty of this plant, apart from its shewing green life on such inhospitable sand, is the wonderful tints it takes on at certain times. Every autumn longer spikes appear, which become of brilliant translucent orange or crimson, like the changes of leaves in northern woods. It is a case where the colour is due to the flower bracts, the flowers themselves being inconspicuous.
A few pictures, of summer calm and storm, and my foundations for a visual impression of the country are laid. Just south of Suakin is an area of (approximately) 100 square miles consisting of a labyrinth of coral reefs with winding passages of deep water, and here and there open pools. Slowly my vessel picks its way through the wholly uncharted and unbeaconed maze. There is, indeed, no immediate necessity for aids to navigation, for the breeze, fresh but not strong, ripples the water so that the reefs shew among the blue-green of the deeper channels as clearly as the white squares of a chess board. They are all beautiful shades of green as the water over them is more or less shallow, merging into yellow where a sand-bank approaches the surface, and richest brown where beds of living corals grow. Ahead is the outer reef, an unbroken line of foam separating these calm waters and lighter tints from the deep blue, the colour of a peacock’s neck, of the open wave-tossed sea. Landwards are the mountains, faint and hazy in the heat. The coastal plain is invisible under the horizon; despite our shallow waveless water and the presence of reefs, we are far out at sea.
Two or three native boats, painted dark red, add a finishing touch to the colour scheme. They are anchored in these landless harbours, while their crews are scattered in canoes, mere black specks, searching for the pearl shell oysters which occur here at rare intervals.
My storm picture (see [frontispiece]) has a similar reef harbour for its foreground, but we are only five miles out at sea on the barrier system, north of Port Sudan. To-day the reefs are barely visible, for with us it is almost a dead calm. All those colours of shoaling sand and coral beds are only visible when the water is rippled. A few stones, mere specks here and there above the glassy surface alone shew the presence of a reef on which no swell is breaking.
Calm is thus more dangerous to a steamer than storm, for should she approach the reef areas before picking up the beacons and lighthouse that mark the entrances to Port Sudan and Suakin, she runs great risk of striking an invisible reef. Sailing vessels are safe, as whenever they are under way the water is rippled and the reefs easily seen.