Scenes and Characters of the Middle Ages / Third Edition

by Edward Lewes Cutts

View of Jerusalem.

The Canterbury Pilgrims.

The woodcut on the preceding page, from a MS. of Lydgate’s “Storie of Thebes” (Royal 18 D. II.), gives a general view of a town. The travellers in the foreground are a group of Canterbury pilgrims.

In these mediæval times the population of these towns was not so diverse as it afterwards became; the houses were of various classes, from that of the wealthy merchant, which was a palace—like that of Michael de la Pole at Hull, or that of Sir John Crosby in London—down to the cottage of the humble craftsman, but the mediæval town possessed no such squalid quarters as are to be found in most of our modern towns. The inhabitants were chiefly merchants, manufacturers, and craftsmen of the various guilds. Just as in the military order, all who were permanently attached to the service of a feudal lord were lodged in his castle or manor and its dependencies; as all who were attached to a religious community were lodged in and about the monastery; as in farm-houses, a century ago, the labouring men lived in the house; so in towns all the clerks, apprentices, and work-people lodged in the house of their master; the apprentices of every craftsman formed part of his family; there were no lodgings in the usual sense of the word. In the great towns, and especially in the suburbs, were hostelries which received travellers, adventurers, minstrels, and all the people who had no fixed establishment; and often in the outskirts of the town without the walls, houses of inferior kind sprang up like parasites, and harboured the poor and dangerous classes.

The bird’s-eye views of the county towns in the corners of Speed’s Maps of the most famous Places of the World, are well worth study. They give representations of the condition of many of our towns in the time of Elizabeth, while they were still for the most part in their ancient condition, with walls and gates, crosses, pillories, and maypoles still standing, and indicated in the engravings. Perhaps one of the most perfect examples we have left of a small mediæval town is Conway; it is true, no very old houses appear to be left in it, but the streets are probably on their old lines, and the walls and gates are perfect—the latter, especially, giving us some picturesque features which we do not find remaining in the gates of other towns. Taken in combination with the adjoining castle it is architecturally one of the most unchanged corners of England.

We have also a few old houses still left here and there, sufficient to form a series of examples of various dates, from the twelfth century downwards. We must refer the reader to Turner’s “Domestic Architecture” for notices of them. A much greater number of examples, and in much more perfect condition, exist in the towns of the Continent, for which reference should be made to Viollet le Duc’s “Dictionary of Architecture.” All that our plan requires, and our space admits, is to give a general notion of what a citizen’s house in a mediæval town was like. The houses of wealthy citizens were no doubt mansions comparable with the unembattled manor-houses of the country gentry. We have already quoted Leland’s description of that of Michael de la Pole at Hull, of the fourteenth century, and Crosby Hall in Bishopsgate Street. St. Mary’s Hall, at Coventry, is a very perfect example of the middle of the fifteenth century. Norwich also possesses one or more houses of this character. The house of an ordinary citizen had a narrow frontage, and usually presented its gable to the street; it had very frequently a basement story, groined, which formed a cellar, and elevated the first floor of the house three or four feet above the level of the street. At Winchelsea the vaulted basements of three or four of the old houses remain, and show that the entrance to the house was by a short stone stair alongside the wall; under these stairs was the entrance into the cellar, beside the steps a window to the cellar, and over that the window of the first floor. Here, as was usually the case, the upper part of the house was probably of wood, and it was roofed with tiles. On the first floor was the shop, and beside it an alley leading to the back of the house, and to a straight stair which gave access to the building over the shop, which was a hall or common living-room occupying the whole of the first floor. The kitchen was at the back, near the hall, or sometimes the cooking was done in the hall itself. A private stair mounted to the upper floor, which was the sleeping apartment, and probably was often left in one undivided garret; the great roof of the house was a wareroom or storeroom, goods being lifted to it by a crane which projected from a door in the gable. The town of Cluny possesses some examples, very little modernised, of houses of this description of the twelfth century. Others of the thirteenth century are at St. Antonin, and in the Rue St. Martin, Amiens. Others of subsequent date will be found in the Dictionary of Viollet le Duc, vol. vi., pp. 222-271, who gives plans, elevations, and perspective sketches which enable us thoroughly to understand and realise these picturesque old edifices. Our own country will supply us with abundance of examples of houses, both of timber and stone, of the fifteenth century. Nowhere, perhaps, are there better examples than at Shrewsbury, where they are so numerous, in some parts (e.g. in the High Street and in Butcher Row), as to give a very good notion of the picturesque effect of a whole street—of a whole town of them. But it must be admitted that the continental towns very far exceed ours in their antiquarian and artistic interest. In the first place, the period of great commercial prosperity occurred in these countries in the Middle Ages, and their mediæval towns were in consequence larger and handsomer than ours. In the second place, there has been no great outburst of prosperity in these countries since to encourage the pulling down the mediæval houses to make way for modern improvements; while in England our commercial growth, which came later, has had the result of clearing away nearly all of our old town-houses, except in a few old-fashioned places which were left outside the tide of commercial innovations. In consequence, a walk through some of the towns of Normandy will enable the student and the artist better to realise the picturesque effect of an old English town, than any amount of diligence in putting together the fragments of old towns which remain to us. In some of the German towns, also, we find the old houses still remaining, apparently untouched, and the ancient walls, mural towers, and gateways still surrounding them. The illuminations in MSS. show that English towns were equally picturesque, and that the mediæval artists appreciated them. The illustrations in our last chapter on pp. 519, 520, give an idea of the houses inhabited by citizens in such a town as St. Alban’s. In the “Roman d’Alexandre,” in the Bodleian Library, Oxford, a whole street of such houses is rudely represented, some with the gable to the street, some with the side, all with the door approached by an exterior stair, most of them with the windows apparently unglazed, and closed at will by a shutter. We might quote one MS. after another, and page after page. We will content ourselves with noting, for exterior views, the Royal MS. 18 E. V. (dated 1473 A.D.), at 3 E. V., f. 117 v., a town with bridge and barbican, and the same still better represented at f. 179; and we refer also to Hans Burgmaier’s “Der Weise Könige,” which abounds in picturesque bits of towns in the backgrounds of the pictures. For exteriors the view of Venice in the “Roman d’Alexandre” is full of interest, especially as we recognise that it gives some of the remaining features—the Doge’s Palace, the Cathedral, the columns in the Piazzeta—and it is therefore not merely a fancy picture, as many of the town-views in the MS. are, which are supposed to represent Jerusalem,[418] Constantinople, and other cities mentioned in the text. This Venice view shows us that at that time the city was lighted by lanterns hung at the end of poles extended over the doors of the houses. It gives us a representation of a butcher’s shop and other interesting features.