A Mediæval Street and Town Hall.
The illustration on the preceding page is also a very interesting street-view of the fifteenth century, from a plate in Le Croix and Seré’s “Moyen Age,” vol. Corporations et Metiers, Plate 8. Take first the right-hand side of the engraving, remove the forest of picturesque towers and turrets with their spirelets and vanes which appear over the roofs of the houses (in which the artist has probably indulged his imagination as to the effect of the other buildings of the town beyond), and we have left a sober representation of part of a mediæval street—a row of lofty timber houses with their gables turned to the street. We see indications of the usual way of arranging the timber frame-work in patterns; there are also indications of pargeting (e.g. raised plaster ornamentation) and of painting in some of the panels. On the ground-floor we have a row of shops protected by a projecting pent-house; the shop-fronts are open unglazed arches, with a bench across the lower part of the arch for a counter, while the goods are exposed above. In the first shop the tradesman is seen behind his counter ready to cry “what d’ye lack” to every likely purchaser; at the second shop is a customer in conversation with the shopkeeper; at the third the shopkeeper and his apprentice seem to be busy displaying their goods. Some of the old houses in Shrewsbury, as those in Butcher Row, are not unlike these, and especially their shops are exactly of this character. When we turn to the rest of the engraving we find apparently some fine building in which, perhaps, again the artist has drawn a little upon vague recollections of civic magnificence, and his perspective is not quite satisfactory. Perhaps it is some market-house or guildhall, or some such building, which is represented; with shops on the ground-floor, and halls and chambers above. The entrance-door is ornamented with sculpture, the panels of the building are filled with figures, which are either painted or executed in plaster, in relief. The upper part of the building is still unfinished, and we see the scaffolds, and the cranes conveying mortar and timber, and the masons yet at work. In the shop on the right of the building, we note the usual open shop-front with its counter, and the tradesman with a pair of scales; in the interior of the shop is an assistant who seems to be, with vigorous action, pounding something in a mortar, and so we conjecture the shop to be that of an apothecary. The costume of the man crossing the street, in long gown girded at the waist, may be compared with the merchants given in our last chapter, and with those in an engraving of a market-place at p. 499. The figure at a bench in the left-hand corner of the engraving may perhaps be one of the workmen engaged upon the building; not far off another will be seen hauling up a bucket of mortar, by means of a pulley, to the upper part of the building; the first mason seems to wear trousers, probably overalls to protect his ordinary dress from the dirt of his occupation. Of later date are the pair of views given opposite from the margin of one of the pictures in “The Alchemy Book” (Plut. 3,469) a MS. in the British Museum of early sixteenth-century date. The nearest house in the left-hand picture shows that the shops were still of the mediæval character; several of the houses have signs on projecting poles. There are other examples of shops in the nearest house of the right-hand picture, a public fountain opposite, and a town-gate at the end of the street. We see in the two pictures, a waggon, horsemen, and carts, a considerable number of people standing at the shops, at the doors of their houses, and passing along the street, which has no foot pavement.
Mediæval Streets.
The accompanying cut from Barclay’s “Shippe of Fools,” gives a view in the interior of a mediæval town. The lower story of the houses is of stone, the upper stories of timber, projecting. The lower stories have only small, apparently unglazed windows, while the living rooms with their oriels and glazed lattices are in the first floor. The next cut, from a MS. in the French National Library, gives the interior of the courtyard of a great house. We notice the portion of one of the towers on the left, the draw-well, the external stair to the principal rooms on the first floor, the covered unglazed gallery which formed the mode of communication from the different apartments of the first floor, and the dormer windows.
A Town, from Barclay’s Shippe of Fools.
A whole chapter might be written on the inns of mediæval England. We must content ourselves with giving references to pictures of the exterior of two country ale-houses—one in the Royal MS. 10 E. IV., at f. 114 v., which has a broom projecting over the door by way of sign; and another in the “Roman d’Alexandre” in the Bodleian—and with reproducing here two pictures of the interiors of hostelries from Mr. Wright’s “Domestic Manners and Customs of the Middle Ages.” They represent the sleeping accommodation of these ancient inns. In the first, from the “Quatre Fils d’Aymon,” a MS. romance of the latter part of the fourteenth century, in the French National Library, the beds are arranged at the side of the apartment in separate berths, like those of a ship’s cabin, or like the box beds of the Highlands of Scotland. It is necessary, perhaps, to explain that the artist has imagined one side of the room removed, so as to introduce into his illustration both the mounted traveller outside and the interior of the inn.
Courtyard of a House. (French National Library.)