'I am,' Margaret spoke up, defiantly. 'I cut it and shaped it and put it together. It has even a frisk to the tail.'

'Maggie,' said the neighbor to Margaret's mother. '’Tis as good a piece o' work for a child of her years as ever I see. You ought not to be faulting her, she's done that well. And,' bursting into irrepressible laughter, 'it's herself will have to be wearing it, woman dear! All she needs now is a horse and a side-saddle to be an equeestrieen!'

So the wanton destruction of the good red coat—in that house where good coats were sadly infrequent—ended with a laugh after all. How long she wore that tight jacket, and how grand she felt in it, let the other children laugh as they would!

What joy the old woman took in this incident! With its fullness of detail, it achieved a delicious suggestion of permanence, in contrast to the illusiveness of other isolated moments. Margaret O'Brien saw all these other figures, but she really was the child with the red coat. In the long years between, she had fashioned many fine dresses—gowned gay girls for their conquests and robed fair brides for the altar. Of all these, nothing now remained; but she could feel the good stuff of the red kersey under her little needle-scratched fingers, and see the glow of its rich color against her wind-kissed brown cheek.

'To the life!' she exclaimed aloud, exultantly. 'To the very life!'

'What life, Aunt Margaret?' asked Anna, with gentle solicitude. 'Is it afraid of the end you are, darling?'

'No, no, asthore. I've resigned myself long since, though 'twas bitter knowledge at the outset. Well, well, God is good and we can't live forever.'

Her eyes, opening to the two flaring patent gas-burners, winked as if she had dwelt long in a milder light. 'What's all this glare about?' she asked, playfully. 'I guess the chandler's wife is dead. Snuff out the whole of them staring candles, let you. ’Tis daylight yet; just the time o' day I always did like the best.'

Anna obeyed and sat down beside the bed in the soft spring dusk. A little wind crept in under the floating white curtains, bringing with it the sweetness of new grass and pear-blossoms from the trim yard. It seemed an interval set apart from the hurrying hours of the busy day for rest and thought and confidences—an open moment. The old woman must have felt its invitation, for she turned her head and held out a shy hand to her niece.

'Anna, my girl, you imagine 'tis the full o' the moon with me, I'm thinking. But, no, never woman was more in her right mind than I. Do you want I should be telling you what I've been hatching these many long days and nights? ’Twill be a good laugh for you, I'll go bail.'