And, as best she could, she gave the trend of her imaginings.

Anna did not laugh, however. Instead—with the ever-ready sympathy and comprehension of the Celt—she showed brimming eyes. '’Tis a thought I've often myself, let me tell you,' she admitted. 'Of all the little girls that were me, and now can be living no longer.'

'You've said it!' cried the old woman, delighted at her unexpected responsiveness. 'Only with me, 'tis fair pit'yus. There's all those poor dear lasses there's nobody but me left to remember, and soon there'll not be even that. Sometimes they seem to be pleading just not to be forgotten, so I have to be keeping them alive in my head. I'm succeeding, too, and, if you'll believe me, 'tis them little whips seem to be the real ones, and the live children here the shadders.' Her voice choked with sudden tears. 'They're all the children ever I had. My grief! that I'll have to be leaving them! They'll die now, for no man lives who can remember them any more.'

Anna's beauty, already fading with the cares of house and children, seemed to put on all its former fresh charm. She leaned forward with girlish eagerness. 'Auntie Margaret,' she breathed, with new tenderness, 'there's many a day left you yet. I'll be sitting here aside of you every evening at twilight just, and you can be showing me the lasses you have in mind. Many's the time my mother told me of the old place, and I can remember it well enough myself, though I was the youngest of the lot. So you can be filling it with all of our people—Mary and Margaret, John, Martin and Esther, Uncle Sheamus and the rest. I'll see them just as clear as yourself, for I've a place in my head where pictures come as thick and sharp as stars on a frosty night, when I get thinking. Then, with me ever calling them up, they'll be dancing and stravaging about till doomsday.'

So the old woman had her heart's desire. She re-created her earlier selves and passed them on, happy in the thought that she was saving them from oblivion. 'Do you mind that bold lass clouting her pet bull, now?' she would ask, with delight, speaking more and more as if of a third person. 'And that other hussy that's after making a ganzy out of her good coat? I'd admire to have the leathering of that one.'

Still the old woman lingered, a good month beyond her allotted time. As spring ripened, the days grew long. In the slow-fading twilights, the two women set their stage, gave cues for entrances and exits. Over the white counterpane danced the joyous figures, so radiant, so incredibly young, the whole cycle of a woman's girlhood. Grown familiar now, they came of their own accord, soothing her hours of pain with their laughing beauty, or, suddenly contemplative, assisting with seemly decorum at her devotional ecstasies.

'A saintly woman,' the young priest told Anna on one of the last days. 'She will make a holy end. Her meditations must be beautiful, for she has the true light of Heaven on her face. She looks as if she heard already the choiring of the angels.'

And Anna, respectfully agreeing, kept her counsel. He was a good and sympathetic man and a priest of God, but, American-born, he was, like her stolid, kindly husband, outside the magic circle of comprehension. 'He sees nothing, poor man,' she thought, indulgently. 'But he does mean well.' So she set her husband to 'mind' the young ones, and, easily doffing the sordid preoccupations of every day, slipped back into the enchanted ring.

THE FAILURE
BY CHARLES CALDWELL DOBIE

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