There is often omission to mark the long vowels, many of which, however, are shortened in the pronunciation of the Kandian villagers. As regards spelling, I have noted the following variations of the word gos, having gone:—gosin, gosin̥, gohin, gihin, gihun, gihun̥, guhin, gusin, gehun, gehun̥, ginun̥.

I also here mention the marked avoidance of the use of the personal and possessive pronouns of the third person, and of the guttural , the palatal ñ, and the cerebral , as well as the employment of the binduwa in the story No. 207, “The Turtle Prince,” for all forms of mute n when followed by any consonant. Its use in this manner in this story, as well as in others sometimes, may indicate the origin of the curled form of the attached semi-consonantal n of all classes, which originally appears to have been a degraded form of the binduwa written hurriedly and united by an upstroke to the next letter. The abandonment of the first two forms of n is, I venture to think, an advantage in every way, since the class of these letters, and especially of the first one, would rarely be mistaken in Sinhalese, whatever form be used, and every step towards simplification of the alphabet under such conditions is an improvement. On the other hand, the class of t or , d or , is never mistaken by these villagers, except in the word katantaraya (which is sometimes written kaṭantaraya) and in another word or two; but la usually takes the place of ḷa, and sa of s’a.

In his Sumero-Accadian Grammar, Mr. Bertin has classified the grammatical elements of a sentence under seven headings:—s, the subject; o, the object; i, the indirect object; r, the reason for the action; c, the complement, or manner of the action; d, the determinative of time (dt), place (dp), or state (ds); and v, the verb, with or without pronouns and particles; together with q, any qualificative which explains or specifies these elements, as the words, ‘of honour,’ in the expression, ‘sword of honour.’

With this classification, the ordinary formula of the arrangement of a complete sentence in Sinhalese is, dt—dp—s—r—ds—i—o—c—v. In the stories, however, the order of the components is most irregular, and very rarely quite accords with this, although most of the sentences partly adhere to this sequence. I have not met with all the elements in one sentence, partly because of the constant omission of the pronouns. The accompanying few examples show the want of uniformity in the arrangement; their order follows the position in which s occurs:

The following transliteration has been adopted in these texts, being the same as in the translations of the stories, with the exceptions æ, ǣ, and ṣa.

Initials: අ a, ආ ā, ඉ i, ඊ ī,උ u, ඌ ū, එ e, ඒ ē,ඔ o, ඕ ō, ඖ au, ඇ æ, ඈ ǣ.
Gutturals: ක ka, ඛ kha, ග ga, ඝ gha, ඞ n̆a.
Palatals: ච ca, ඡ cha, ජ ja, ඣ jha, ඤ ña.
Cerebrals: ට ṭa, ඨ ṭha, ඩ ḍa, ඪ ḍha, ණ ṇa.
Dentals: ත ta, ථ tha, ද da, ධ dha, න na.
Labials: ප pa, ඵ pha, බ ba, භ bha, ම ma.
Semi-vowels: ය ya, ර ra, ල la, ව wa, ළ ḷa, ං n̥.
Sibilants, etc.: ශ śa, ෂ ṣa, හ sa, හ ha.
Semi-consonants thus: n̆g, n̆ḍ, n̆d, m̆b.

[1] A form, kawaddā, may indicate the intermediate stage; I think it occurs only once. [↑]