“My customers are all working people, all of them. I sell to nobody else; I make 4s. or 5s.; I call 5s. a good week at this time of year, when the weather suits. I lodge with a married sister; her husband’s a wood-chopper, and I pay 1s. 6d. a week, which is cheap, for I’ve no sticks of my own. If I earn 4s. there’s only 2s. 6d. left to live on the week through. In winter, when I can make next to nothing, and must keep my birds, it is terrible—oh yes, sir, if you believe me, terrible!”
Of the Tricks of the Bird-Duffers.
The tricks practised by the bird-sellers are frequent and systematic. The other day a man connected with the bird-trade had to visit Holloway, the City, and Bermondsey. In Holloway he saw six men, some of whom he recognised as regular bird-catchers and street-sellers, offering sham birds; in the City he found twelve; and in Bermondsey six, as well as he could depend upon his memory. These, he thought, did not constitute more than a half of the number now at work as bird-“duffers,” not including the sellers of foreign birds. In the summer, indeed, the duffers are most numerous, for birds are cheapest then, and these tricksters, to economise time, I presume, buy of other catchers any cheap hens suited to their purpose. Some of them, I am told, never catch their birds at all, but purchase them.
The greenfinch is the bird on which these men’s art is most commonly practised, its light-coloured plumage suiting it to their purposes. I have heard these people styled “bird-swindlers,” but by street-traders I heard them called “bird-duffers,” yet there appears to be no very distinctive name for them. They are nearly all men, as is the case in the bird trade generally, although the wives may occasionally assist in the street-sale. The means of deception, as regards the greenfinch especially, are from paint. One aim of these artists is to make their finch resemble some curious foreign bird, “not often to be sold so cheap, or to be sold at all in this country.” They study the birds in the window of the naturalists’ shops for this purpose. Sometimes they declare these painted birds are young Java sparrows (at one time “a fashionable bird”), or St. Helena birds, or French or Italian finches. They sometimes get 5s. for such a “duffing bird;” one man has been known to boast that he once got a sovereign. I am told, however, by a bird-catcher who had himself supplied birds to these men for duffing, that they complained of the trade growing worse and worse.
It is usually a hen which is painted, for the hen is by far the cheapest purchase, and while the poor thing is being offered for sale by the duffers, she has an unlimited supply of hemp-seed, without other food, and hemp-seed beyond a proper quantity, is a very strong stimulus. This makes the hen look brisk and bold, but if newly caught, as is usually the case, she will perhaps be found dead next morning. The duffer will object to his bird being handled on account of its timidity; “but it is timid only with strangers!” “When you’ve had him a week, ma’am,” such a bird-seller will say, “you’ll find him as lovesome and tame as can be.” One jealous lady, when asked 5s. for a “very fine Italian finch, an excellent singer,” refused to buy, but offered a deposit of 2s. 6d., if the man would leave his bird and cage, for the trial of the bird’s song, for two or three days. The duffer agreed; and was bold enough to call on the third day to hear the result. The bird was dead, and after murmuring a little at the lady’s mismanagement, and at the loss he had been subjected to, the man brought away his cage. He boasted of this to a dealer’s assistant who mentioned it to me, and expressed his conviction that it was true enough. The paints used for the transformation of native birds into foreign are bought at the colour-shops, and applied with camel-hair brushes in the usual way.
When canaries are “a bad colour,” or have grown a paler yellow from age, they are re-dyed, by the application of a colour sold at the colour-shops, and known as “the Queen’s yellow.” Blackbirds are dyed a deeper black, the “grit” off a frying-pan being used for the purpose. The same thing is done to heighten the gloss and blackness of a jackdaw, I was told, by a man who acknowledged he had duffed a little; “people liked a gay bright colour.” In the same way the tints of the goldfinch are heightened by the application of paint. It is common enough, moreover, for a man to paint the beaks and legs of the birds. It is chiefly the smaller birds which are thus made the means of cheating.
Almost all the “duffing birds” are hawked. If a young hen be passed off for a good singing bird, without being painted, as a cock in his second singing year, she is “brisked up” with hemp-seed, is half tipsy in fact, and so passed off deceitfully. As it is very rarely that even the male birds will sing in the streets, this is often a successful ruse, the bird appearing so lively.
A dealer calculated for me, from his own knowledge, that 2000 small birds were “duffed” yearly, at an average of from 2s. 6d. to 3s. each.
As yet I have only spoken of the “duffing” of English birds, but similar tricks are practised with the foreign birds.
In parrot-selling there is a good deal of “duffing.” The birds are “painted up,” as I have described in the case of the greenfinches, &c. Varnish is also used to render the colours brighter; the legs and beak are frequently varnished. Sometimes a spot of red is introduced, for as one of these duffers observed to a dealer in English birds, “the more outlandish you make them look, the better’s the chance to sell.” Sometimes there is little injury done by this paint and varnish, which disappear gradually when the parrot is in the cage of a purchaser; but in some instances when the bird picks himself where he has been painted, he dies from the deleterious compound. Of this mortality, however, there is nothing approaching that among the duffed small birds.