“Perhaps they do not always know themselves,” suggested Miss Cheyne, without meeting her companion's eyes.
“Perhaps that is so, Senorita. At all events, Mateo went to these two, when they were together. Mateo was always quick and very calm. He faced Bernaldez, and he told the woman. Then he left them. And I found him in Barcelona, two days afterwards, living at the Hotel of the Four Nations, like one in his sleep. 'If Bernaldez wants me,' he said, 'he knows where to find me.' And the next day Bernaldez came to us, where we sat in front of the Cafe of the Liceo on the Rambla. 'Mateo,' he said, 'you will have to fight me.' And Mateo nodded his head. 'With the revolver.' Mateo looked up with his dry smile. 'I will take you at that game,' he said, 'for nuts'—in the American fashion, Senorita—one of their strange sad jokes. Then Bernaldez sat down—his eyes were hollow; he spoke like one who has been down to the bottom of misery. 'I know a place,' he said, 'that will suit our purpose. It is among the mountains, on the borders of Andorra. You take the train from Barcelona to Berga, the diligencia from Berga to Organa. Between Organa and La Seo de Urgel is a bridge called La Puente del Diabolo. I will meet you at this bridge on foot on Thursday morning at nine o'clock. We can walk up into the mountains together. I shall bring a small travelling clock with me. We shall stand it on the ground between us, and when it strikes, we fire.'”
Antonio had, in the heat of his narrative, leant forward across the table. With quick gestures he described the whole scene, so that Miss Cheyne could see it as it had passed before his eyes.
“There is a madness, Senorita,” he went on, “which shows itself by a thirst for blood. I looked at Bernaldez. He was sane enough, but I think the man's heart was broken. 'It is well,' said Mateo; 'I am your man—at the Puente del Diabolo at nine o'clock on Thursday morning.' And mind you, Senorita, these were not Italians or Greeks—they were a Spaniard and an American—men who mean what they say, whether it be pleasant or the reverse.”
Miss Cheyne was interested enough now. She sat, leaning one arm on the table, and her chin in the palm of her hand. She held her lip with her teeth, and watched the man's quick expressive face.
“We were there at nine o'clock,” he went on, “that Mateo, with his arm in a sling. We had passed the night at the hotel of the Libertad at Organa, where we both slept well enough. What will you?—when one is no longer young, the pulse is slow. The morning mist had descended the mountain side, the air was cold. There at the Puente, leaning against the wall, cloaked and quiet—was Bernaldez. 'Ah!' he said to me, 'you have come, too?' 'Yes, Amigo,' I answered, 'but I do not give the word for two friends to let go at each other. Your little clock can do that.' He nodded and said nothing. Senorita, I was sorry for the man. Who was I that I should judge? You remember, you, who read your Bible, the writing on the ground? Bernaldez led the way, and we climbed up into the mountains in the morning mist. Somewhere above us there was a little waterfall singing its eternal song. In the cloud, where we could not see him, a curlew hung on his heavy wings, and gave forth his low warning whistle. 'Have a care—have a care,' he seemed to cry. Presently Bernaldez stopped, and looked around him. It was a desolate place. 'This will do,' he said. 'And he who drops may be left here. The other may turn on his heel, say “A Dios,” and go in safety. 'Yes,' answered Mateo. 'This will do as well as any other place.' Bernaldez looked at him, with a laugh. 'Ah,' he said, 'you think that you are sure to kill me—but I shall, at all events, have a shot for my money. Who knows? I may kill you.' 'That is quite possible,' answered Mateo. Bernaldez threw back his cloak. He carried the little travelling clock in one hand—a gilt thing made in Paris. 'We will stand it here,' he said, 'on a rock between us.' We were in a little hollow far up the mountain side, and the mist wrapped us round like a cloak. I know these mountains, Senorita, for it was here that the fiercest of the fighting in the last Carlist War took place. There are many dead up there even now, who have never been found. I also was in that trouble—ah, no, I was not always an innkeeper!”
“Go on with your story,” said Miss Cheyne, curtly, and closed her teeth over her lower lip again.
“We stood there, then, and watched Bernaldez take the clock from its case. He held it to his ear to make sure that it was going. It seemed to me that it ticked as loud up there as a clock ticks in a room at night. Bernaldez set forward the hands till they stood at five minutes to eleven. 'The eleventh hour,' said Mateo, with his dry laugh. Bernaldez set the clock down again. He took off his hat and threw it down to mark the ground. 'Ten paces,' he said, and, turning on his heel, counted aloud. I looked half-instinctively at his bared head. The tonsure was still visible to any who sought it; for it was but half-grown over. Mateo counted his steps and then turned. The clock gave a little tick, as such clocks do, four minutes before they strike. It seemed to me to hurry its pace as we three stood listening in that silence. We could hear the whisper of the clouds as they hurried through the mountains. The clock gave another click, and the two men raised their pistols of a similar pattern. The little gong rang out, and immediately after two shots, one following the other. Bernaldez had fired first. Mateo—a man with a reputation to care for—took a moment longer for his aim. I heard Bernaldez's bullet sing past his ear like a mosquito. Bernaldez fell forward—thus, on his arm—and the clock had not ceased striking when we stood over him; and Mateo had held the pistol in his left hand.”
The narrator finished abruptly with a quick gesture. All through his story he had added a vividness to his description by quick movements of the hand and head, by his flashing eyes, his southern fire, so that his hearer could see the scene as he had seen it; could feel the stillness of the mountains; could hear the whisper of the clouds; could see the two men facing each other in the mist. With a gesture he showed her how Bernaldez lay, on his face on the wet stones, with a half-concealed tonsure, turned towards heaven in mute appeal, awaiting the last great hearing of his case in that Court where there is no appeal.
“And there we left him, Senorita,” added Antonio, shortly.