"And with what object?"
"I say that she is a maniac. The report is that she made the acquaintance of Potkanski here, so now she does not believe, it seems, that he is dead, and she goes around everywhere, as maniacs do usually. In fact, were he to rise from the dead, and not go to her straightway, she would surely find him here, nowhere else. We remind her, perhaps, of Potkanski; many students used to visit them."
"Does Gustav permit her to come here?"
"Potkanski never would have permitted her to come, but Gustav does not forbid her anything."
"How does she treat Gustav?"
"Like a table, a bench, a plate, or a ball of thread. She seems not to see him, but she does not avoid him,—she is always indifferent, apathetic. That must pain him, but it is his affair.—Ah! there she is! that woman coming in on the right."
When the widow entered, it grew somewhat silent. The appearance of that mysterious figure always produced an impression. Of stature a little more than medium, slender; she had a long face, bright blond hair, and dark eyes; her shoulders and bosom were rather slight, but she had the round plumpness of maiden forms; a forehead thrown back in a way scarcely discernible. She was pensive, and as dignified as if of marble. Her eyes, deeply set beneath her forehead, as it were in a shadow, were pencilled above with one delicate arch of brow. Those eyes were marvellous, steel-colored; they gleamed like polished metal, but that was a genuine light of steel. It was light and nothing more; under the glitter warmth and depth of thought were lacking. One might have said of those eyes, "They look, but they see not." They gave no idea of an object, they only reflected it. They were cold beyond description; we will add that their lids almost never blinked, but the pupils possessed a certain movement as if investigating, inquiring, seeking; still the movement was mechanical.
The rest of the widow's face answered to her eyes. Her mouth was pressed downward a little, as might be the case in a statue; the complexion monotonous, dull, pale, had a swarthy tinge. She was neither very charming nor very beautiful; she was accurately pretty.
This in the woman was wonderful, that though her face was torpid apparently, she had in her whole person something which attracted the masculine side of human nature inexplicably. In that lay her charm. She was statuesque to the highest degree, but to the highest degree also a woman. She attracted and also repelled. Gustav felt this best. It was difficult to reconcile with that cold torpor the impression which she produced, which seemed as it were not of her, but aside from her.
She was like a sleeping flower; pain had so put her to sleep. In reality the blows which she had received were like strokes of an axe on the head. Let us remember that in the career of the woman brief moments of happiness were closed by two coffins. As a maiden she had loved; he whom she had loved was no longer alive. As a wife she had given birth to a child; the child was dead. That which law had given her, which had been the cause and effect of her life, had vanished. Thenceforth she ceased to live, she only existed. Imagine a plant which is cut at the top and the root; such was Helena. Torn from the past and debarred from the future, at first she bore within her a dim belief that a shameful injustice had been wrought on her. At the moment of her pain she threw out, it is difficult to know at whom, this question, as unfathomable as the bottomless pit: Why has this happened? No answer came from the blue firmament, or the earth, or the fields, or the forest; the injustice remained injustice. The sun shone and the birds sang on as before. Then that unfortunate heart withdrew into itself with its own pain and became deadened.