No answer came, but her mind grew diseased—she lost belief in the death of her husband, she thought that he had taken the weeping child in his arms and gone somewhere, but that he might return any moment. Then, altogether incapable of another thought, she sought him with that bitter mechanical movement of the eyes. She went to the restaurant, thinking to find him there where she had made his acquaintance.
Unfortunately she did not die, but found a valiant arm which strove to snatch her from error, and a breast which wished to give her warmth. The effort was vain, but it saved her life. Gustav's love secured her rescue and protection, as it were by the tenure of a spider-web which did not let her go from the earth. His voice cried to her, "Stay," and though there was no echo in her, she remained, without witness of herself, indifferent, a thing, not a human being.
Such was the widow.
She entered the room and stood near the door, like a stone statue, in gloomy majesty. It was warm and smoky around her, the last sounds of a song were quivering in the air yet. A little coarse and a little dissolute was the song, and on that impure background bloomed the widow like a water-lily on a turbid pool.
Silence came. They respected her in that place. In her presence even Augustinovich became endurable. Some remembered Potkanski, others inclined their heads before her misfortune. There were also those who revered her beauty. The assembly assumed in her presence its seemliest aspect.
Gustav brought up an armchair to Pani Helena, and taking her warm shawl went to a corner to Yosef, who, attracted and astonished, turned his gleaming eyes at the widow.
Gustav began a conversation with him.
"That is she," said he, in an undertone.
"I understand."
"Do not show thyself to her much. The poor woman! every new face brings her disappointment, she is always looking for her husband."