He had refused an invitation from Mr Petulengro to become a Romany chal and take a Romany bride, the granddaughter of his would-be murderess, who “occasionally talked of” him. He yearned for solitude and the country’s quiet. He told Mr Petulengro that he desired only some peaceful spot where he might hold uninterrupted communion with his own thoughts, and practise, if so inclined, either tinkering or the blacksmith’s art, and he had been directed to Mumper’s Dingle, which was to become the setting of the most romantic episode in his life.

In the dingle Borrow experienced one of his worst attacks of the “Horrors”—the “Screaming Horrors.” He raged like a madman, a prey to some indefinable, intangible fear; clinging to his “little horse as if for safety and protection.” [64a] He had not recovered from the prostrating effects of that night of tragedy when he was called upon to fight Anselo Herne, “the Flaming Tinman,” who somehow or other seemed to be part of the bargain he had made with Jack Slingsby, and encounter the queen of road-girls, Isopel Berners. The description of the fight has been proclaimed the finest in our language, and by some the finest in the world’s literature.

Isopel Berners is one of the great heroines of English Literature. As drawn by Borrow, with her strong arm, lion-like courage and tender tearfulness, she is unique. However true or false the account of her relations with Borrow may be, she is drawn by him as a living woman. He was incapable of conceiving her from his imagination. It may go unquestioned that he actually met an Isopel Berners, [64b] but whether or no his parting from her was as heart-rendingly tragic as he has depicted it, is open to very grave question.

With this queen of the roads he seems to have been less reticent and more himself than with any other of his vagabond acquaintance, not excepting even Mr Petulengro. To the handsome, tall girl with “the flaxen hair, which hung down over her shoulders unconfined,” and the “determined but open expression,” he showed a more amiable side of his character; yet he seems to have treated her with no little cruelty. He told her about himself, how he “had tamed savage mares, wrestled with Satan, and had dealings with ferocious publishers,” bringing tears to her eyes, and when she grew too curious, he administered an antidote in the form of a few Armenian numerals. If his Autobiography is to be credited, Isopel loved him, and he was aware of it; but the knowledge did not hinder him from torturing the poor girl by insisting that she should decline the verb “to love” in Armenian.

Borrow’s attitude towards Isopel was curiously complex; he seemed to find pleasure in playing upon her emotions. At times he appeared as deliberately brutal to her, as to the gypsy girl Ursula when he talked with her beneath the hedge. He forced from Isopel a passionate rebuke that he sought only to vex and irritate “a poor ignorant girl . . . who can scarcely read or write.” He asked her to marry him, but not until he had convinced her that he was mad. How much she had become part of his life in the dingle he did not seem to realise until after she had left him. Isopel Berners was a woman whose character was almost masculine in its strength; but she was prepared to subdue her spirit to his, wished to do so even. With her strength, however, there was wisdom, and she left Borrow and the dingle, sending him a letter of farewell that was certainly not the composition of “a poor girl” who could “scarcely read or write.” The story itself is in all probability true; but the letter rings false. Isopel may have sent Borrow a letter of farewell, but not the one that appears in The Romany Rye.

Among Borrow’s papers Dr Knapp discovered a fragment of manuscript in which Mr Petulengro is shown deliberating upon the expediency of emulating King Pharaoh in the number of his wives. Mrs Petulengro desires “a little pleasant company,” and urges her husband to take a second spouse. He proceeds:—

“Now I am thinking that this here Bess of yours would be just the kind of person both for my wife and myself. My wife wants something gorgiko, something genteel. Now Bess is of blood gorgious; if you doubt it, look at her face, all full of pawno ratter, white blood, brother; and as for gentility, nobody can make exceptions to Bess’s gentility, seeing she was born in the workhouse of Melford the Short.”

Mr Petulengro sees in Bess another advantage. If “the Flaming Tinman” [66a] were to descend upon them, as he once did, with the offer to fight the best of them for nothing, and Tawno Chikno were absent, who was to fight him? Mr Petulengro could not do so for less than five pounds; but with Bess as a second wife the problem would be solved. She would fight “the Flaming Tinman.”

This proves nothing, one way or the other, and can scarcely be said to “dispel any allusions,” as Dr Knapp suggests, or confirm the story of Isopel. Why did Borrow omit it from Lavengro? Not from caprice surely. It has been stated that those who know the gypsies can vouch for the fact that no such suggestion could have been made by a gypsy woman.