The reader who is anxious to know what Josh Billings means by an advertisement so eccentric in its character can have his curiosity satisfied by turning to page 404 of this work. The chapter is headed “How to pick out a good Horse,” and the caption is assuredly none the more inappropriate or infelicitous than are the titular conundrums of the “Seven Lamps of Architecture,” “Unto this Last,” or “A Crown of Wild Olives.” John Ruskin and Josh Billings understand with equal clearness the value of a title which shall arrest attention by not being too easy of comprehension.
I first heard of Josh Billings several years ago when crossing the Isthmus of Panama by that remarkable railway which connects the Atlantic and Pacific oceans. When Nuñez de Balboa in the olden time had his first peep of the Pacific, and beheld the ocean which no European had before seen, from an eminence which is now a station of the railway, he little thought that in a few centuries hence the steam xvii engine would haul thousands upon thousands of Christians up to the same summit, and allow them to enjoy the same sight at so many American dollars each. Terribly prosaic is this earth becoming! And, despite Schiller and Coleridge, it is scarcely Jupiter who “brings whate’er is good,” or Venus “who brings everything that’s fair.” A locomotive or a steamboat will bring or take you to both; and a railway it was which brought me to know of Josh Billings. The incident was simply this:
Midway on the Panama railway there is a station at which travellers alight while the engineer looks after his supply of wood and water. A beautifully picturesque station it is, looking from it along the road which you have come, or adown that portion of the railway track which you have to go—a luxuriance of tropical vegetation meets the eye, overpowering the mind with the wild profusion of its beauty. Nature seems to revel in a wealth of verdure. Palms, bananas, and trees innumerable of every graceful form tower upwards to the unclouded sky, or arch over the flower-garnished earth. The trunk of each is invisible; for creeping plants of the most delicate growth entwine around the wood, hang in loops from the boughs, connect tree to tree with a lace-work of exquisite elegance and sun-dyed brilliancy, and sway in wreaths of natural arabesque to and fro in the fragrant, moist, and enervating air. The station lies back from the road, and, if I remember rightly, is thatched with palm leaves. As I alighted at it, groups of native New-Grenadians clustered around xviii me, the younger ones being almost in a state of nudity. Some offered me oranges, some bananas, some milk in a green-glass bottle, and one of them wished me to buy a monkey. Pushing through them, I made my way for the station, the sultry atmosphere having rendered me languid and a gentle stimulus being desirable. I expected to find the refreshment department in the care of a native, or, at any rate, of a Spaniard; but the ubiquitous Yankee was master of the premises, and a forlorn ague-stricken, quinine-and-calomel-looking master he seemed to be. His whiskey was something not to be forgotten; nor were his dogs, half a dozen of which were running about the place, the greatest burlesques of the race canine I had hitherto seen. They were all lean, hungry, and wolfish-eyed. Their tails drooped mournfully, as if the seething heat had melted the sinews and softened the bones; they whined peevishly, but bark there was none—their owner required it all to keep the ague away. I had drunk my whiskey, become Christian in my feelings, and was silently pitying the poor animals, when the proprietor of the miserable dog-flesh, stationing himself beside me, and placing his hands on his hips, sententiously observed,—
“Them critturs are the pride of the Isthmus. They’re a pair of the most elegant puppies in this State. Nary one of ’em would flunk out before any dog.”
“They look very cowardly about the tail,” I remarked.
“That’s the way of dogs’ tails on the Isthmus,” xix was his response. “Do you know what Josh Billings says about dogs’ tails?”
I frankly confessed that I did not; adding, that I was profoundly ignorant of Josh Billings, and pleasantly intimating that I supposed him to be one of the guards on the line.
“I guess you haven’t read the papers lately,” continued my new acquaintance, as though pitying my ignorance. “Josh Billings knows that there are some dogs’ tails which can’t be got to curl no ways, and some which will, and you can’t stop ’em. He says, that if you bathe a curly-tailed dog’s tail in oil and bind it in splints, you cannot get the crook out of it; and Josh, who says a sight of good things, says that a man’s way of thinking is the crook in the dog’s tail, and can’t be got out, and that every one should be allowed to wag his own peculiarity in peace.”
That my Yankee acquaintance was partial to Josh Billings, and that anything which related to dogs was congenial with his tastes, I furthermore ascertained by noticing two scraps of paper posted on the rough wall of his cabin. I copied both. One was in prose and the other in rhyme. Here is the prose one:—
Dogs.