I find that the criminal convicted of calumny accused, together with twenty-nine others not in custody, the Sheykh-el-Beled of his place of murdering his servant, and produced a basket full of bones as proof, but the Sheykh-el-Beled produced the living man, and his detractor gets hard labour for life. The proceeding is characteristic of the childish ruses of this country. I inquired whether the thief who was dragged in chains through the streets would be able to find work, and was told, ‘Oh, certainly; is he not a poor man? For the sake of God everyone will be ready to help him.’ An absolute uncertainty of justice naturally leads to this result. Our captain was quite shocked to hear that in my country we did not like to employ a returned convict.

Luxor,
January 13, 1864.

We spent all the afternoon of Saturday at Keneh, where I dined with the English Consul, a worthy old Arab, who also invited our captain, and we all sat round his copper tray on the floor and ate with our fingers, the captain, who sat next me, picking out the best bits and feeding me and Sally with them. After dinner the French Consul, a Copt, one Jesus Buktor, sent to invite me to a fantasia at his house, where I found the Mouniers, the Moudir, and some other Turks, and a disagreeable Italian, who stared at me as if I had been young and pretty, and put Omar into a great fury. I was glad to see the dancing-girls, but I liked old Seyyid Achmet’s patriarchal ways much better than the tone of the Frenchified Copt. At first I thought the dancing queer and dull. One girl was very handsome, but cold and uninteresting; one who sang was also very pretty and engaging, and a dear little thing. But the dancing was contortions, more or less graceful, very wonderful as gymnastic feats, and no more. But the captain called out to one Latifeh, an ugly, clumsy-looking wench, to show the Sitt what she could do. And then it was revealed to me. The ugly girl started on her feet and became the ‘serpent of old Nile,’—the head, shoulders and arms eagerly bent forward, waist in, and haunches advanced on the bent knees—the posture of a cobra about to spring. I could not call it voluptuous any more than Racine’s Phèdre. It is Venus toute entière à sa proie attachée, and to me seemed tragic. It is far more realistic than the ‘fandango,’ and far less coquettish, because the thing represented is au grande sérieux, not travestied, gazé, or played with; and like all such things, the Arab men don’t think it the least improper. Of course the girls don’t commit any indecorums before European women, except the dance itself. Seyyid Achmet would have given me a fantasia, but he feared I might have men with me, and he had had a great annoyance with two Englishmen who wanted to make the girls dance naked, which they objected to, and he had to turn them out of his house after hospitably entertaining them.

Our procession home to the boat was very droll. Mme. Mounier could not ride an Arab saddle, so I lent her mine and enfourché’d my donkey, and away we went with men running with ‘meshhaals’ (fire-baskets on long poles) and lanterns, and the captain shouting out ‘Full speed!’ and such English phrases all the way—like a regular old salt as he is. We got here last night, and this morning Mustapha A’gha and the Nazir came down to conduct me up to my palace. I have such a big rambling house all over the top of the temple of Khem. How I wish I had you and the chicks to fill it! We had about twenty fellahs to clean the dust of three years’ accumulation, and my room looks quite handsome with carpets and a divan. Mustapha’s little girl found her way here when she heard I was come, and it seemed quite pleasant to have her playing on the carpet with a dolly and some sugar-plums, and making a feast for dolly on a saucer, arranging the sugar-plums Arab fashion. She was monstrously pleased with Rainie’s picture and kissed it. Such a quiet, nice little brown tot, and curiously like Rainie and walnut-juice.

The view all round my house is magnificent on every side, over the Nile in front facing north-west, and over a splendid range of green and distant orange buff hills to the south-east, where I have a spacious covered terrace. It is rough and dusty to the extreme, but will be very pleasant. Mustapha came in just now to offer me the loan of a horse, and to ask me to go to the mosque in a few nights to see the illumination in honour of a great Sheykh, a son of Sidi Hosseyn or Hassan. I asked whether my presence might not offend any Muslimeen, and he would not hear of such a thing. The sun set while he was here, and he asked if I objected to his praying in my presence, and went through his four rekahs very comfortably on my carpet. My next-door neighbour (across the courtyard all filled with antiquities) is a nice little Copt who looks like an antique statue himself. I shall voisiner with his family. He sent me coffee as soon as I arrived, and came to help. I am invited to El-Moutaneh, a few hours up the river, to visit the Mouniers, and to Keneh to visit Seyyid Achmet, and also the head of the merchants there who settled the price of a carpet for me in the bazaar, and seemed to like me. He was just one of those handsome, high-bred, elderly merchants with whom a story always begins in the Arabian Nights. When I can talk I will go and see a real Arab hareem. A very nice English couple, a man and his wife, gave me breakfast in their boat, and turned out to be business connections of Ross’s, of the name of Arrowsmith; they were going to Assouan, and I shall see them on their way back. I asked Mustapha about the Arab young lady, and he spoke very highly of her, and is to let me know if she comes here and to offer hospitality from me: he did not know her name—she is called ‘el Hággeh’ (the Pilgrimess).

Thursday.—Now I am settled in my Theban palace, it seems more and more beautiful, and I am quite melancholy that you cannot be here to enjoy it. The house is very large and has good thick walls, the comfort of which we feel to-day for it blows a hurricane; but indoors it is not at all cold. I have glass windows and doors to some of the rooms. It is a lovely dwelling. Two funny little owls as big as my fist live in the wall under my window, and come up and peep in, walking on tip-toe, and looking inquisitive like the owls in the hieroglyphics; and a splendid horus (the sacred hawk) frequents my lofty balcony. Another of my contemplar gods I sacrilegiously killed last night, a whip snake. Omar is rather in consternation for fear it should be ‘the snake of the house,’ for Islam has not dethroned the Dii lares et tutelares.

I have been ‘sapping’ at the Alif Bey (A B C) to-day, under the direction of Sheykh Yussuf, a graceful, sweet-looking young man, with a dark brown face and such fine manners, in his fellah dress—a coarse brown woollen shirt, a libdeh, or felt skull-cap, and a common red shawl round his head and shoulders; writing the wrong way is very hard work. Some men came to mend the staircase, which had fallen in and which consists of huge solid blocks of stone. One crushed his thumb and I had to operate on it. It is extraordinary how these people bear pain; he never winced in the least, and went off thanking God and the lady quite cheerfully. Till to-day the weather has been quite heavenly; last night I sat with my window open, it was so warm. If only I had you all here! How Rainie would play in the temple, Maurice fish in the Nile, and you go about with your spectacles on your nose. I think you would discard Frangi dress and take to a brown shirt and a libdeh, and soon be as brown as any fellah. It was so curious to see Sheykh Yussuf blush from shyness when he came in first; it shows quite as much in the coffee-brown Arab skin as in the fairest European—quite unlike the much lighter-coloured mulatto or Malay, who never change colour at all. A photographer who is living here showed me photographs done high up the White Nile. One negro girl is so splendid that I must get him to do me a copy to send you. She is not perfect like the Nubians, but so superbly strong and majestic. If I can get hold of a handsome fellahah here, I’ll get her photographed to show you in Europe what a woman’s breast can be, for I never knew it before I came here—it is the most beautiful thing in the world. The dancing-girl I saw moved her breasts by some extraordinary muscular effort, first one and then the other; they were just like pomegranates and gloriously independent of stays or any support.

January 20, 1864: Sir Alexander Duff Gordon

To Sir Alexander Duff Gordon.