The Rejected Suitor
From Queen Móo and the Egyptian Sphinx, by Augustus Le Plongeon, M.D.
The Royal Bride
“In another tableau we again see Queen Móo, no longer a child, but a comely young woman. She is not seated under the royal umbrella or banner, but she is once more in the presence of the h-men, whose face is concealed by a mask representing an owl’s head. She, pretty and coquettish, has many admirers, who vie with each other for the honour of her hand. In company with one of her wooers she comes to consult the priest, accompanied by an old lady, her grandmother probably, and her female attendants. According to custom the old lady is the spokeswoman. She states to the priest that the young man, he who sits on a low stool between two female attendants, desires to marry the Queen. The priest’s attendant, seated also on a stool, back of all, acts as crier, and repeats in a loud voice the speech of the old lady.
Móo’s Refusal
“The young Queen refuses the offer. The refusal is indicated by the direction of the scroll issuing from her mouth. It is turned backward, instead of forward towards the priest, as would be the case if she assented to the marriage. The h-men explains that Móo, being a daughter of the royal family, by law and custom must marry one of her brothers. The youth listens to the decision with due respect to the priest, as shown by his arm being placed across his breast, the left hand resting on the right shoulder. He does not accept the refusal in a meek spirit, however. His clenched fist, his foot raised as in the act of stamping, betoken anger and disappointment, while the attendant behind him expostulates, counselling patience and resignation, judging by the position and expression of her left-hand palm upward.