The genuineness of the myth seems to depend on whether the mistletoe is an original feature of it or not, and on this point there can be little real doubt. The German theory that Baldr could only be killed by his own sword, which was therefore disguised by enchantment and used against him, and that the Icelandic writers misunderstood this to mean a mistletoe sprig, is far-fetched and romantic, and crumbles at a touch. For if, as it is claimed, the Icelanders had no mistletoe, why should they introduce it into a story to which it did not belong? Page 21They might preserve it by tradition, but they would hardly invent it. Granting this, the mistletoe becomes the central point of the legend. The older mythologists, who only saw in it a sun-myth, overlooked the fact that since any weapon would have done to kill the God with, the mistletoe must have some special significance; and if it is a genuine part of the story, as we have no reason to doubt, it will be hard to overturn Dr. Frazer's theory that the Baldr-myth is a relic of tree-worship and the ritual sacrifice of the God, Baldr being a tree-spirit whose soul is contained in the mistletoe.
The contradictions in the story, especially as told by Snorri (such as the confusion between the parts played by Höd and Loki, and the unsuspicious attitude of the Gods as Loki directs Höd's aim) are sometimes urged against its genuineness. They are rather proofs of antiquity. Apparent contradictions whose explanation is forgotten often survive in tradition; the inventor of a new story takes care to make it consistent. It is probable, however, that there were originally only two actors in the episode, the victim and the slayer, and that Loki's part is later than Höd's, for he really belongs to the Valhall and Ragnarök myth, and was only introduced here as a link. The incident of the oath extracted from everything on earth to protect Baldr, which occurs in Snorri and in a paper MS. of Baldr's Dreams, was probably invented to Page 22explain the choice of weapon, which would certainly need explanation to an Icelandic audience. If Dr. Frazer's theory be right, Vali, who slew the slayer, must also have been an original figure in the legend. His antiquity is supported by the fact that he plays the part of avenger in the poems; while in Snorri, where he is mentioned as a God, his absence from the account of Baldr's death is only a part of that literary development by which real responsibility for the murder was transferred from Höd to Loki.
Snorri gives Baldr a son, Forseti (Judge), who is also named as a God in Grimnismal. He must have grown out of an epithet of Baldr's, of whom Snorri says that “no one can resist his sentence”; the sacred tree would naturally be the seat of judgment. * * * * *
The Wanes.—Three of the Norse divinities, Njörd and his son and daughter, are not Aesir by descent. The following account is given of their presence in Asgard:
(1) In Vafthrudnismal, Odin asks:
“Whence came Njörd among the sons of the Aesir? for he was not born of the Aesir.”
Vafthrudni. “In Vanaheim wise powers ordained and gave him for a hostage to the Gods; at the doom of the world he shall come back, home to the wise Wanes.”
(2) There is an allusion in Völuspa to the war which caused the giving of hostages:
“Odin shot into the host: this was the first war in the world. Broken was the wall of the citadel of the Aesir, so that the Wanes could tread the fields of war.”