The Proteus of Odyssean story or the King's daughter and the Efreet in the "Second Royal Mendicant's Adventure," could not more easily transform themselves than the French peasant. Husbandman to-day, mechanic on the morrow, at one season he plies the pruning-hook, at another he turns the lathe. This adaptability of the French mind, strange to say, is nowhere seen to greater advantage than in out-of-the-way regions, just where are mental torpidity and unbendable routine. Not one of Millet's blue-bloused countrymen but masters a dozen handicrafts.
Thus, whilst the heraldic insignia of Sauve should be a trident, those of Quissac should be surmounted by an old shoe! In the former place the forked branches of the Celtis australis or nettle tree, Ulmaceæ, afford a most profitable occupation. From its tripartite boughs are made yearly thousands upon thousands of the three-pronged forks used in agriculture. The wood, whilst very durable, is yielding, and lends itself to manipulation.
In Florian's birthplace folks make a good living out of old boots and shoes! Some native genius discovered that, however well worn footgear may be, valuable bits of leather may remain in the sole. These fragments are preserved, and from them boot heels are made; the débris, boots, shoes and slippers, no matter the material, find their way to the soil as manure. But this subject if pursued further would lead to a lane, metaphorically speaking, without a turning, that is to say to a treatise on French rural economy.
VII
AN IMMORTALIZER
In Renan's exquisitely phrased preface to his Drames Philosophiques occurs the following sentence which I render into English tant bien que mal: "Side by side are the history of fact and the history of the ideal, the latter materially speaking of what has never taken place, but which, in the ideal sense, has happened a thousand times."
Who when visiting the beautiful little town of Saumur thinks of the historic figures connected with its name? Even the grand personality of Duplessis Morny sinks into insignificance by comparison with that of the miser's daughter, the gentle, ill-starred Eugénie Grandet! And who when Carcassonne first breaks upon his view thinks of aught but Nadaud's immortal peasant and his plaint—
"I'm growing old, just three score year,
In wet and dry, in dust and mire,
I've sweated, never getting near
Fulfilment of my heart's desire.
Ah, well I see that bliss below
'Tis Heaven's will to vouchsafe none,
Harvest and vintage come and go,
I've never got to Carcassonne!"
The tragi-comic poem of six eight-lined verses ending thus—
"So sighed a peasant of Limoux,
A worthy neighbour bent and worn.
'Ho, friend,' quoth I, 'I'll go with you.
We'll sally forth to-morrow morn.'
And true enough away we hied,
But when our goal was almost won,
God rest his soul!—the good man died,
He never got to Carcassonne!"