Great as was the stimulus of literary culture, it was only one of several influences that made up the Renaissance. While Greek was speaking so powerfully to the cultivated class, other forces were contributing to revolutionize life as a whole and all men's outlook upon it. The invention of printing, multiplying books in unlimited quantities where before there had been only a few manuscripts laboriously copied page by page, absolutely transformed all the processes of knowledge and almost of thought. Not much later began the vast expansion of the physical world through geographical exploration. Toward the end of the fifteenth century the Portuguese sailor, Vasco da Gama, finishing the work of Diaz, discovered the sea route to India around the Cape of Good Hope. A few years earlier Columbus had revealed the New World and virtually proved that the earth is round, a proof scientifically completed a generation after him when Magellan's ship actually circled the globe. Following close after Columbus, the Cabots, Italian-born, but naturalized Englishmen, discovered North America, and for a hundred years the rival ships of Spain, England, and Portugal filled the waters of the new West and the new East. In America handfuls of Spanish adventurers conquered great empires and despatched home annual treasure fleets of gold and silver, which the audacious English sea-captains, half explorers and half pirates, soon learned to intercept and plunder. The marvels which were constantly being revealed as actual facts seemed no less wonderful than the extravagances of medieval romance; and it was scarcely more than a matter of course that men should search in the new strange lands for the fountain of perpetual youth and the philosopher's stone. The supernatural beings and events of Spenser's 'Faerie Queene' could scarcely seem incredible to an age where incredulity was almost unknown because it was impossible to set a bound how far any one might reasonably believe. But the horizon of man's expanded knowledge was not to be limited even to his own earth. About the year 1540, the Polish Copernicus opened a still grander realm of speculation (not to be adequately possessed for several centuries) by the announcement that our world is not the center of the universe, but merely one of the satellites of its far-superior sun.

The whole of England was profoundly stirred by the Renaissance to a new and most energetic life, but not least was this true of the Court, where for a time literature was very largely to center. Since the old nobility had mostly perished in the wars, both Henry VII, the founder of the Tudor line, and his son, Henry VIII, adopted the policy of replacing it with able and wealthy men of the middle class, who would be strongly devoted to themselves. The court therefore became a brilliant and crowded circle of unscrupulous but unusually adroit statesmen, and a center of lavish entertainments and display. Under this new aristocracy the rigidity of the feudal system was relaxed, and life became somewhat easier for all the dependent classes. Modern comforts, too, were largely introduced, and with them the Italian arts; Tudor architecture, in particular, exhibited the originality and splendor of an energetic and self-confident age. Further, both Henries, though perhaps as essentially selfish and tyrannical as almost any of their predecessors, were politic and far-sighted, and they took a genuine pride in the prosperity of their kingdom. They encouraged trade; and in the peace which was their best gift the well-being of the nation as a whole increased by leaps and bounds.

THE REFORMATION. Lastly, the literature of the sixteenth century and later was profoundly influenced by that religious result of the Renaissance which we know as the Reformation. While in Italy the new impulses were chiefly turned into secular and often corrupt channels, in the Teutonic lands they deeply stirred the Teutonic conscience. In 1517 Martin Luther, protesting against the unprincipled and flippant practices that were disgracing religion, began the breach between Catholicism, with its insistence on the supremacy of the Church, and Protestantism, asserting the independence of the individual judgment. In England Luther's action revived the spirit of Lollardism, which had nearly been crushed out, and in spite of a minority devoted to the older system, the nation as a whole began to move rapidly toward change. Advocates of radical revolution thrust themselves forward in large numbers, while cultured and thoughtful men, including the Oxford group, indulged the too ideal hope of a gradual and peaceful reform.

The actual course of the religious movement was determined largely by the personal and political projects of Henry VIII. Conservative at the outset, Henry even attacked Luther in a pamphlet, which won from the Pope for himself and his successors the title 'Defender of the Faith.' But when the Pope finally refused Henry's demand for the divorce from Katharine of Spain, which would make possible a marriage with Anne Boleyn, Henry angrily threw off the papal authority and declared himself the Supreme Head of the Church in England, thus establishing the separate English (Anglican, Episcopal) church. In the brief reign of Henry's son, Edward VI, the separation was made more decisive; under Edward's sister, Mary, Catholicism was restored; but the last of Henry's children, Elizabeth, coming to the throne in 1558, gave the final victory to the English communion. Under all these sovereigns (to complete our summary of the movement) the more radical Protestants, Puritans as they came to be called, were active in agitation, undeterred by frequent cruel persecution and largely influenced by the corresponding sects in Germany and by the Presbyterianism established by Calvin in Geneva and later by John Knox in Scotland. Elizabeth's skilful management long kept the majority of the Puritans within the English Church, where they formed an important element, working for simpler practices and introducing them in congregations which they controlled. But toward the end of the century and of Elizabeth's reign, feeling grew tenser, and groups of the Puritans, sometimes under persecution, definitely separated themselves from the State Church and established various sectarian bodies. Shortly after 1600, in particular, the Independents, or Congregationalists, founded in Holland the church which was soon to colonize New England. At home, under James I, the breach widened, until the nation was divided into two hostile camps, with results most radically decisive for literature. But for the present we must return to the early part of the sixteenth century.

SIR THOMAS MORE AND HIS 'UTOPIA.' Out of the confused and bitter strife of churches and parties, while the outcome was still uncertain, issued a great mass of controversial writing which does not belong to literature. A few works, however, more or less directly connected with the religious agitation, cannot be passed by.

One of the most attractive and finest spirits of the reign of Henry VIII was Sir Thomas More. A member of the Oxford group in its second generation, a close friend of Erasmus, his house a center of humanism, he became even more conspicuous in public life. A highly successful lawyer, he was rapidly advanced by Henry VIII in court and in national affairs, until on the fall of Cardinal Wolsey in 1529 he was appointed, much against his will, to the highest office open to a subject, that of Lord Chancellor (head of the judicial system). A devoted Catholic, he took a part which must have been revolting to himself in the torturing and burning of Protestants; but his absolute loyalty to conscience showed itself to better purpose when in the almost inevitable reverse of fortune he chose harsh imprisonment and death rather than to take the formal oath of allegiance to the king in opposition to the Pope. His quiet jests on the scaffold suggest the never-failing sense of humor which was one sign of the completeness and perfect poise of his character; while the hair-shirt which he wore throughout his life and the severe penances to which he subjected himself reveal strikingly how the expression of the deepest convictions of the best natures may be determined by inherited and outworn modes of thought.

More's most important work was his 'Utopia,' published in 1516. The name, which is Greek, means No-Place, and the book is one of the most famous of that series of attempts to outline an imaginary ideal condition of society which begins with Plato's 'Republic' and has continued to our own time. 'Utopia,' broadly considered, deals primarily with the question which is common to most of these books and in which both ancient Greece and Europe of the Renaissance took a special interest, namely the question of the relation of the State and the individual. It consists of two parts. In the first there is a vivid picture of the terrible evils which England was suffering through war, lawlessness, the wholesale and foolish application of the death penalty, the misery of the peasants, the absorption of the land by the rich, and the other distressing corruptions in Church and State. In the second part, in contrast to all this, a certain imaginary Raphael Hythlodaye describes the customs of Utopia, a remote island in the New World, to which chance has carried him. To some of the ideals thus set forth More can scarcely have expected the world ever to attain; and some of them will hardly appeal to the majority of readers of any period; but in the main he lays down an admirable program for human progress, no small part of which has been actually realized in the four centuries which have since elapsed.

The controlling purpose in the life of the Utopians is to secure both the welfare of the State and the full development of the individual under the ascendancy of his higher faculties. The State is democratic, socialistic, and communistic, and the will of the individual is subordinated to the advantage of all, but the real interests of each and all are recognized as identical. Every one is obliged to work, but not to overwork; six hours a day make the allotted period; and the rest of the time is free, but with plentiful provision of lectures and other aids for the education of mind and spirit. All the citizens are taught the fundamental art, that of agriculture, and in addition each has a particular trade or profession of his own. There is no surfeit, excess, or ostentation. Clothing is made for durability, and every one's garments are precisely like those of every one else, except that there is a difference between those of men and women and those of married and unmarried persons. The sick are carefully tended, but the victims of hopeless or painful disease are mercifully put to death if they so desire. Crime is naturally at a minimum, but those who persist in it are made slaves (not executed, for why should the State be deprived of their services?). Detesting war, the Utopians make a practice of hiring certain barbarians who, conveniently, are their neighbors, to do whatever fighting is necessary for their defense, and they win if possible, not by the revolting slaughter of pitched battles, but by the assassination of their enemies' generals. In especial, there is complete religious toleration, except for atheism, and except for those who urge their opinions with offensive violence.

'Utopia' was written and published in Latin; among the multitude of translations into many languages the earliest in English, in which it is often reprinted, is that of Ralph Robinson, made in 1551.

THE ENGLISH BIBLE AND BOOKS OF DEVOTION. To this century of religious change belongs the greater part of the literary history of the English Bible and of the ritual books of the English Church. Since the suppression of the Wiclifite movement the circulation of the Bible in English had been forbidden, but growing Protestantism insistently revived the demand for it. The attitude of Henry VIII and his ministers was inconsistent and uncertain, reflecting their own changing points of view. In 1526 William Tyndale, a zealous Protestant controversialist then in exile in Germany, published an excellent English translation of the New Testament. Based on the proper authority, the Greek original, though with influence from Wiclif and from the Latin and German (Luther's) version, this has been directly or indirectly the starting-point for all subsequent English translations except those of the Catholics.