[462] — This description deserves special notice. The writer is evidently describing a MANDAPA richly sculptured, of which so many examples are still to be seen in temples, and he states that the whole of the stone carving was richly coloured and gilded. This probably was always the case. Traces of colour still remain on many of these buildings at Vijayanagar.
[463] — PRANHUS (see above, p. 241). Probably the sculptures were like many still to be seen in the temples of that date in Southern India, where the base of the pillar is elaborately carved with grotesque figures of elephants, horses, and monsters.
[464] — The gate still exists opposite the Anegundi ferry.
[465] — Krishnapura, where are the ruins of a fine temple.
[466] — It seems clear that this sentence must be interpolated, and perhaps also the whole of the last four paragraphs. For the penultimate sentence could not have formed part of the original chronicle of Paes, written perhaps in 1522, or thereabouts, as it refers to an event that took place in 1535 — 36.
[467] — Elsewhere called "Ondegema." Its other name was Nagalapur. It is the modern Hospett. (See below, Nuniz, p. 387.)
[468] — This "general destruction" evidently refers to the conquest of Anegundi by Muhammad Taghlaq.
[469] — (See above, p. 8.) The date should be about 1330. Nuniz was here about a century wrong.
[470] — Delhi.
[471] — A common error with the foreigners. Properly speaking it was Cambaya which belonged to Gujarat.