The summer of 1879 was one of the happiest ever spent by the artist in Norway. One memorable day was when a party of friends went down to the little hamlet Lofthus in the Hardanger, to be immortalized, as Ole Bull told the peasants, because the composer Grieg had chosen to stay there for months and to write some of his best works. They had now come to celebrate his birthday. No spot could be more enchanting, so wonderfully blended were the beautiful and the sublime in nature. The little study of one room, erected by the composer for perfect retirement, was perched half way up a rock and near the fjord. In the field above, the apple–trees were in bloom about an old farm–house, where the guests assembled. From the summit of the beetling cliffs not far away fell a beautiful waterfall, while the opposite mountain shore of the broad fjord, clothed with heavy forests of pine above and the feathery birch below, presented range after range of lofty peaks and domes, crowned by the great Folgefond with its eternal snow. The day was as perfect as friendship, music, and lovely surroundings could make it.
King Oscar and the young prince made a visit to Bergen that summer, and Ole Bull was proud of the escort of steamers, the crowds of honest, sturdy peasant faces, the refined but hearty welcome, and the imposing pageant which Bergen presented in greeting their sovereign. While the artist was standing on a height overlooking the harbor, the procession and bands discovered his presence as they moved along to take their position and welcome the ship on its entrance to the harbor with the royal guests; and each division of the long line halted in front below, the bands playing and the men cheering Ole Bull. This instant recognition and spontaneous expression of regard was so constantly given him by his countrymen that it deserves mention. He proudly said that day that not another city in Europe could furnish so royal an escort as the fleet of steamers selected from the shipping in the Bergen harbor. Certainly, none could have given a more beautiful or loyal welcome. On the king’s departure from Bergen, Ole Bull had, with the city authorities, the honor of accompanying their guests for one day along the coast. To the toast at dinner proposed by Ole Bull for the royal princes, in which, according to those present, he eloquently referred to the royal family and to the successive sovereigns whom he had personally known, the king responded by singing the three verses of Ole Bull’s “Saeterbesög.”
But only too soon came the time for departure from his home. On the last day and evening every part of the island was visited. It was in truth a farewell, and it now seems as if the last lingering looks rested with more than wonted tenderness on the spot he so loved; for it was the last time his foot pressed the soil, as on his next return he was borne in the arms of others to his home. His feeling for that scene is best expressed by himself. He once wrote:—
I have suffered so much,—no one knows how much, but He whose everlasting, superhuman love you have to sustain you in everything noble and elevated.... How I am longing for Norway, for Lysö! If you only knew the beauty of the “Clostrûm vallis lucida,” as it was called in the year 1146, you would pine for it. I have never seen anything that attracts me so mysteriously; so grand, so sweet, so sad, so joyous! I cannot account for it. The atmosphere there has certainly a rare charm, and the woods, the ravines, and the lakes are so varied in expression; but the grand views from the mountains must be seen with caution, or they will overpower you; they make me feel thankful to God and weep in prayer for all enemies and friends.
On his return to the United States in the fall of 1879 it was decided to spend the winter quietly with family friends, and a residence with them was taken in Cambridge, Mass. It is pleasant to dwell upon the charming intercourse that made the months pass so swiftly, and two occasions may be mentioned here. The first was the celebration of Ole Bull’s seventieth birthday, which has been so gracefully recalled by Mr. Appleton; and the other, which came soon after, was the seventy–third anniversary of Mr. Longfellow’s birth, when he invited the artist with a few friends to dine and spend the evening with him. The beautiful presence of the poet was a benediction to those about him; and this, the last evening Ole Bull was with him, Mr. Longfellow, as it is now pleasant to recall, seemed especially to enjoy. A friend of the poet, who was present, sent to the violinist just as he was to leave Cambridge this sonnet, which was written while his playing for Mr. Longfellow was still fresh in her memory:
TO OLE BULL.
How full of music’s harmony and state
Thy presence is, ere inspiration stirs!
As on thy Norseland mountains tower the firs,
Light with Norse glory when the hour is late;
But as when through their branches penetrate
The winds, those gentle, mighty conquerors,
Swelling their music all along the spurs,
So breath of heaven thy form can agitate,
Thy searching power can in a little space
Undo the door where wordless thoughts are pent.
Philosopher and poet, even these
Expression of their dimmest secrets trace,
As if their soul were in thine instrument,
Unprisoned slowly and by sweet degrees.
Charlotte Fiske Bates.
Among the valued letters written in answer to the birthday summons was this pleasant response from Mr. Whittier:—
Oakknoll, Danvers, 2nd Mo. 1, 1880.