[ ADELPHI;]
THE BROTHERS,
THE SUMMARY OF C. SULPITIUS APOLLINARIS.
As Demea has two sons, young men, he gives Æschinus to his brother Micio to be adopted by him; but he retains Ctesipho: him, captivated with the charms of a Music-girl, and under a harsh and strict father, his brother Æschinus screens; the scandal of the affair and the amour he takes upon himself; at last, he carries the Music-girl away from the Procurer. This same Æschinus has previously debauched a poor woman, a citizen of Athens, and has given his word that she shall be his wife. Demea upbraids him, and is greatly vexed; afterward, however, when the truth is discovered, Æschinus marries the girl who has been debauched; and, his harsh father Demea now softened, Ctesipho retains the Music-girl.
[ THE PROLOGUE.]
Since the Poet has found that his writings are carped at by unfair critics, and that his adversaries represent in a bad light the Play that we are about to perform, he shall give information about himself; you shall be the judges whether this ought to be esteemed to his praise or to his discredit. The Synapothnescontes[17] is a Comedy of Diphilus;[18] Plautus made it into a Play called the “Commorientes.” In the Greek, there is a young man, who, at the early part of the Play, carries off a Courtesan from a Procurer; that part Plautus has entirely left out. This portion he has adopted in the Adelphi, and has transferred it, translated word for word. This new Play we are about to perform; determine then whether you think a theft has been committed, or a passage has been restored to notice which has been passed over in neglect. For as to what these malevolent persons say, that men of noble rank assist him, and are always writing in conjunction with him—that which they deem to be a heavy crimination, he takes to be the highest praise; since he pleases those who please you all and the public; the aid of whom in war, in peace, in private business,[19] each one has availed himself of, on his own occasion, without any haughtiness on their part. Now then, do not expect the plot of the Play; the old men[20] who come first will disclose it in part; a part in the representation they will make known. Do you cause your impartial attention to increase the industry of the Poet in writing.
[ ACT THE FIRST.]
[ Scene I.]
Enter Micio, calling to a servant within.
Mic. Storax! Æschinus has not returned home from the entertainment last night, nor any of the servants who went to fetch him.[21] (To himself.) Really, they say it with reason, if you are absent any where, or if you stay abroad at any time, ’twere better for that to happen which your wife says against you, and which in her passion she imagines in her mind, than the things which fond parents fancy. A wife, if you stay long abroad, either imagines that you are in love or are beloved, or that you are drinking and indulging your inclination, and that you only are taking your pleasure, while she herself is miserable. As for myself, in consequence of my son not having returned home, what do I imagine? In what ways am I not disturbed? For fear lest he may either have taken cold,[22] or have fallen down somewhere, or have broken some limb. Oh dear! that any man should take it into his head, or find out what is dearer to him than he is to himself! And yet he is not my son, but my brother’s. He is quite different in disposition. I, from my very youth upward, have lived a comfortable town life, and taken my ease; and, what they esteem a piece of luck, I have never had a wife. He, on the contrary to all this, has spent his life in the country, and has always lived laboriously and penuriously. He married a wife, and has two sons. This one, the elder of them, I have adopted. I have brought him up from an infant, and considered and loved him as my own. In him I centre my delight; this object alone is dear to me. On the other hand, I take all due care that he may hold me equally dear. I give—I overlook; I do not judge it necessary to exert my authority in every thing; in fine, the things that youth prompts to, and that others do unknown to their fathers, I have used my son not to conceal from me. For he, who, as the practice is, will dare to tell a lie to or to deceive his father, will still more dare to do so to others. I think it better to restrain children through a sense of shame and liberal treatment, than through fear. On these points my brother does not agree with me, nor do they please him. He often comes to me exclaiming, “What are you about, Micio? Why do you ruin for us this youth? Why does he intrigue? Why does he drink? Why do you supply him with the means for these goings on? You indulge him with too much dress; you are very inconsiderate.” He himself is too strict, beyond what is just and reasonable; and he is very much mistaken, in my opinion, at all events, who thinks that an authority is more firm or more lasting which is established by force, than that which is founded on affection. Such is my mode of reasoning;