One day, for example, as she was playing out-of-doors with a friend, she saw some one following her, and mentioned the fact to her companion, who could not see any one. The imaginary individual, after having followed her around a tree for a moment, disappeared, and she was unable to find him again.
Of an entirely different order are the strange characters which she remembers having sometimes involuntarily substituted for French letters when writing to her friends, which must be regarded as graphomotor hallucinations. These were undoubtedly the same characters which at other times appeared to her in visual images.
This was the prelude to the phenomenon so frequently experienced by her in the last few years, and of which we shall hereafter see many examples—namely, automatic writing, mingling with her ordinary chirography in her waking state.
Alongside of hallucinations like these, which do not show any intentional or useful character and are only a capricious and fortuitous irruption into the normal consciousness, mere dreams or fancies filling up the subconscious strata, there are also manifested in Hélène’s case some hallucinations of a manifest utility, which have in consequence the sense of messages addressed by the subliminal consciousness of the subject to her normal consciousness, by way of warning and protection. It is to be noted that these hallucinations, which might be called teleological, have lately been claimed by Leopold, although he has no recollection of, and does not assert himself to be the author of, the earlier ones.
The following is a curious example: At about the age of seventeen or eighteen, Hélène was returning from the country one evening, carrying a fine bouquet of flowers. During the last minutes of the journey she heard behind her a peculiar cry of a bird, which seemed to her to warn her against some danger, and she hastened her steps without looking behind. On her arrival at home the cry followed her into her room without her having been able to see the creature from which it emanated. She went tired to bed, and in the middle of the night awoke in great pain, but was unable to cry out. At that moment she felt herself gently lifted, together with the pillow on which she lay, as if by two friendly hands, which enabled her to recover her voice and call her mother, who hastened to comfort her, and carried the flowers, which were too odorous, out of the room. Leopold, on being interrogated recently during a somnambulism of Hélène as to this incident, coming up again after so many years, has a very clear recollection of it and gives the following explanation.
It was not really the cry of a bird, but it was he, Leopold, who caused Hélène to hear a sort of whistle, hoping thereby to attract her attention to the danger lurking in the bouquet of flowers, in which was a great deal of garden-mint of powerful odor. Unfortunately Hélène did not understand, and retained the bouquet in her room. He adds that his failure to give a more clear and intelligible warning was due to the fact that it was at that time impossible for him to do so. The whistle which Hélène took for the cry of a bird was all that it was in his power to utter. It was again he who intervened at the moment of her nocturnal illness by raising her head in order to enable her to call for help.
I have no reason to doubt the substantial accuracy either of the account given by Hélène and her mother, or of the explanation recently furnished by Leopold. The incident belongs to the category of well-known cases where a danger of some sort not suspected by the normal personality, but which is subconsciously known or recognized, is warded off by a preservative hallucination, either sensory (as here—the cry of the bird) or motor (as in the lifting of the body). The subliminal consciousness is not always able to give a clear message; in the present case, the auditive automatism remained in a state of elementary hallucination, a simple whistle, without being able to elevate it to a distinct verbal hallucination. Its general warning sense, however, was understood by Hélène, thanks to the confused feeling of danger that she felt at the same time. Moreover, this confused feeling, which caused her to quicken her steps, it seems to me, ought not to be considered as the consequence of the whistle she heard, but rather as a parallel phenomenon; the appearance or the odor of the mint she was carrying, while not attracting her conscious attention, nevertheless dimly roused in her an idea of the danger lurking in the flowers, and that idea in turn affected her clear consciousness under the double form of a vague emotion of danger and a verbo-auditive translation which did not go so far as to formulate itself explicitly.
Under circumstances of a nature calculated to cause a strong emotional shock, and especially when the psychic sphere which involves the sentiment of modesty is strongly acted upon, Hélène has a visual hallucination of a man clothed in a long, brown robe, with a white cross on his breast, like a monk, who comes to her aid, and accompanies her in silence as long as the necessity for his presence continues. This unknown protector, always silent, each time appearing and disappearing in a sudden and mysterious manner, is no other than Leopold himself, according to the recent affirmations of the latter.
We should naturally expect that Hélène would have had in her youth many striking experiences of prevision, marvellous intuition, divination, etc., which are among the most diffuse forms of teleological automatism. Such, however, does not seem to have been the fact; neither she nor her mother has recounted to me anything remarkable of this nature, and they confine themselves to a general affirmation of frequent presentiments, which were subsequently justified as to the persons and events with which they were connected.
All the examples which I have above cited concur in bringing to light the strong penchant of Mlle. Smith towards automatism. But from the point of view of their meaning there is a notable difference between the teleological phenomena, presentiments or hallucinations of a manifest utility, and those which have none—mere reveries and other perturbations, which are altogether superfluous, if not actually detrimental, to Hélène’s normal personality.