Here the author has confused tradition with history.[200] The document itself, however, substantiates the contention that there arose in this region one of the world's greatest empires ruled by an almost unbroken succession of kings who piloted the nation through the trials of its incipiency, enabled it to develop a very advanced civilization, and extended its influence over a large portion of Africa. The empire of the Songhoi lasted about 1,000 years, during which three dynasties ruled over these people. The kings of these lines adopted the names Dia, Sunni, and Askia. The first included thirty kings who ruled from 700 to 1335; the second a line of eighteen kings from 1335 to 1492, and the third and last dynasty from 1494 to 1591.

During the reign of Dia Sobi of the first dynasty the empire passed through a crisis. Unable to conquer its enemies from without, it finally became the vassal of the Mali empire on the west. Jenne, the city of much wealth and culture, was then separated from the Songhoi empire. But finally there came Ali Kolon, of the second dynasty, who freed the Songhoi from the rule of Mali. The country thereafter continued for some time in peace. Later it expanded considerably under Sunni Ali, "the true Negro soldier," who ruled from 1464 to 1493. Although skeptical, violent and oppressive he paved the way for the establishment of the largest empire which had ever existed in that part of the world.

In 1494 the second dynasty was brought to a close when Sunni Barro, the last of that line, was obliged to flee from the country and Askia Mohammed usurped the throne. He began as a pious ruler and was, therefore, praised as "a brilliant light shining after great darkness; a savior who drew the servants of God from idolatry and the country from ruin."[201] He made pilgrimages to Mecca, scattered his funds in the holy places, rendered homage to the Khalif Abassid Motewekkel in Egypt, got in touch with the theologians and learned men of Cairo and endeavored to take over the more advanced civilization of Egypt. During these years, however, his piety did not deter him from the use of the sword. He ever fought his neighbors, conducting an expedition against some nation almost every year. He eventually succeeded in triumphing over his enemies, conquering Mali on the west and Agades, Katsina, Kano, Zegzey, and Sanfara on the east. He was then Askia the Great, the ruler of one of the greatest empires of the world, extending north and south from Thegazza to Bandouk and east and west from Lake Chad to the Atlantic Ocean. He was not a mere warrior. He was just as successful in carrying out a constructive policy of incorporation. Instead of being satisfied with the payment of tribute, he destroyed old systems, established his lieutenants in the seats of government, appointed viceroys to supervise the governors of provinces, promoted commerce, and built up a formidable standing army.

Askia the Great, however, finally declined and was deposed by his son Askia Moussa in 1521. He entered upon the policy of killing his hundred brothers and was finally assassinated. Then came a nephew of Askia the Great, Askia Bankouri, who, much like his predecessor, endeavored to murder his uncles who might pretend to the throne. Despite this blot on his escutcheon, however, it is said that he wielded power with magnificence and maintained a great court. He was dethroned by the Viceroy of Dandi in 1537 and Askia Ismael was proclaimed king. His motives, according to the Tarik, are interesting. "I accepted the honour for three reasons," declared he; "to rescue my father from his distressful condition, to enable my sisters to resume the veil that Bankouri had obliged them to relinquish, and to pacify Yan Mara, one of the hundred hen ostriches, who was wont to throw herself into a frenzy whenever she saw Bankouri."[202]

Ismael died in 1540 and was succeeded by his brother Ishak. Following the example of his predecessor, he put to death many of his relations. The last four Askia to rule over the entire empire had much difficulty in maintaining their positions because of the internal and external causes operating to make it decline and fall. The Moors, the most aggressive peoples then seeking to invade the dominions, finally overran the empire and made it a colony.

Referring to this turbulent period through which the empire passed, the Tarik says: "All was changed in a moment. Danger took the place of security, destitution of abundance, trouble, calamities, and violence succeeded to tranquillity. Everywhere the populations began to destroy each other. In all places and in every direction rapine became the law, war spared neither life nor property, nor the position of the people. Disorder was general, it spread everywhere till it reached at last the highest degree of intensity." "Things continued thus," adds the historian, "until towards the moment in which the Songhoi dynasty approached its end, and its empire ceased to exist. At this moment faith was exchanged for infidelity; there was nothing forbidden by God which was not openly done. Men drank wine, they gave themselves up to vice.... As to adultery, it became so frequent that indulgence in it was almost accepted as permissible. Without it there was no elegance and no glory. ... Because of these abominations, the Almighty in his vengeance drew down upon the Songhoi the victorious army of the Moors. He brought it through terrible suffering from a distant country. Then the roots of this people were separated from the trunk, and the chastisement they underwent was exemplary."[203]

The Tarik é Soudan, however, continues its story beyond the fall of the empire of the Songhoi. It throws light on Foulbes, Touaregs, Mossi and Ouolofs, mentions Morocco and Massina, sketches the careers of saints and scholars, sets forth the authors curriculum vitae, and brings this narrative to a close in 1653. His task as a historian finished, the author appends the annals of the country to the year 1656, saying: "What shall happen hereafter I shall relate in the same manner as that which is past, for as long as I shall be alive."[204] It is highly probable that the author died that year.

Considered from all angles the student must agree with the investigator that the Tarik é Soudan is a masterpiece. Barth, the distinguished German scholar, says that the book forms "one of the most important additions that the present age has made to the history of mankind."[205] Lady Lugard, another writer in this field, believes that it is not merely an authentic narrative but is an unusually valuable document since it throws unconscious light upon the life, manners, politics and literature of that country. "Above all," says she, "it possesses the crowning quality, displayed usually in creative poetry alone, of presenting a vivid picture of the character of the men with whom it deals. It has been called the 'Epic of the Soudan,'" continues the writer. "It lacks the charm of form, but in all else the description is well merited. Its pages are a treasure-house of information for the careful student and the volumes may be read many times without extracting from them more than a small part of all that they contain."[206]

Félix DuBois refers to it as serving him as his "charming and picturesque guide through the Soudan." "The Tarik é Soudan," says he, "is conceived upon a perfectly clear and logical plan according to the most correct rules of literary composition."[207] "It forms, with the exception of the holy writings, the favorite volume of the negro, and is known to the furthest extremity of western Africa, from the shores of the Niger to the borders of Lake Chad." "Its style," continues he, "is very simple and clear, entirely lacking those literary artifices so much in vogue among the Arabs; and the author displays an unusual conscientiousness, never hesitating to give both versions of a doubtful event."[208] On the whole it is a book of elevated active morals and with its charming combination of fables, marvels and miracles it is well adapted to influence the negraic mind. The work is not an uninteresting narration of events but an explanation of them as the rewards of God when fortunate and punishments of the wicked when calamitous. Devoted to religion and civic virtue, the author portrays as sinful the evil deeds of all whether they be peasants or kings. "The Tarik is to this day," remarks Félix DuBois, "the Hozier of the Soudan. In addition to the attractions to be found in its pages, it contains a charm which entirely escapes the Sudanese, and which we alone are privileged to taste, viz., the naïvete, good nature, and delicious sincerity which pervade the book." The "book admirably reflects the life and mind of the Soudan of yesterday. One enjoys from its pages," says this writer, "the delicate repasts offered by Homer, Herodotus, and Froissard, and it is for this reason I have called the Tarik the chef-d'oeuvre of Sudanese literature."[209]

A.O. Stafford