Accordingly, the College of Cardinals having rejected the proposals of France, as containing articles contrary to conscience, the Pope declared his determination to abide by the utmost extremity, rather than accede to conditions destructive, degrading, and, in his opinion, impious. The Directory instantly determined on the total ruin of the Pope, and of his power, both spiritual and temporal.

Napoleon dissented from the opinion of the Government. In point of moral effect, a reconciliation with the Pope would have been of great advantage to France, and have tended to reunite her with other Catholic nations, and diminish the horror with which she was regarded as sacrilegious and atheistical. Even the army of the Holy See was not altogether to be despised, in case of any reverse taking place in the war with the Austrians. Under these considerations, he prevailed on the Directory to renew the negotiations at Florence.[241] But the French commissioners, having presented as preliminaries sixty indispensable conditions, containing the same articles which had been already rejected, as contrary to the conscience of the Pontiff, the conferences broke up; and the Pope, in despair, resolved to make common cause with the House of Austria, and have recourse to the secular force, which the Roman See had disused for so many years.[242]

It was a case of dire necessity; but the arming of the Pope's government, whose military force had been long the subject of ridicule,[243] against the victorious conqueror of five Austrian armies, reminds us of Priam, when, in extremity of years and despair, he buckled on his rusty armour, to oppose age and decrepitude to the youthful strength of Pyrrhus.[244] Yet the measures of Sextus indicated considerable energy. He brought back to Rome an instalment of sixteen millions of stipulated tribute, which was on the road to Buonaparte's military chest—took every measure to increase his army, and by the voluntary exertions of the noble families of Rome, he actually raised it to forty thousand men, and placed at its head the same General Colli, who had commanded with credit the troops of Sardinia during the campaign on the Alps. The utmost pains were taken by the clergy, both regular and secular, to give the expected war the character of a crusade, and to excite the fierce spirit of those peasantry who inhabit the Apennines, and were doubly disposed to be hostile to the French, as foreigners and as heretics. The Pope endeavoured also to form a close alliance with the King of the Two Sicilies, who promised in secret to cover Rome with an army of thirty thousand men. Little reliance was indeed to be placed in the good faith of the Court of Naples; but the Pope was compared, by the French envoy, Cacault,[245] to a man who, in the act of falling, would grasp for support at a hook of red-hot iron.[246]

INVASION OF THE PAPAL TERRITORIES.

While the Court of Rome showed this hostile disposition, Napoleon reproached the French Government for having broken off the negotiation, which they ought to have protracted till the event of Alvinzi's march into Italy was known; at all events, until their general had obtained possession of the sixteen millions, so much wanted to pay his forces. In reply to his remonstrances, he received permission to renew the negotiations upon modified terms. But the Pope had gone too far to recede. Even the French victory of Arcola, and the instant threats of Buonaparte to march against him at the head of a flying column, were unable to move his resolution. "Let the French general march upon Rome," said the Papal minister; "the Pope, if necessary, will quit his capital. The farther the French are drawn from the Adige, the nearer they are to their ultimate destruction."[247] Napoleon was sensible, on receiving a hostile answer, that the Pope still relied on the last preparations which were made for the relief of Mantua, and it was not safe to attempt his chastisement until Alvinzi and Provera should be disposed of. But the decisive battles of Rivoli and La Favorita having ruined these armies, Napoleon was at leisure to execute his purpose of crushing the power, such as it was, of the Holy See. For this purpose he despatched Victor with a French division of four thousand men, and an Italian army of nearly the same force, supplied by Lombardy and by the Transpadane republic, to invade the Territories of the Church on the eastern side of Italy, by the route of Imola.

Feb. 3.

Meantime, the utmost exertions had been made by the clergy of Romagna, to raise the peasants in a mass, and a great many obeyed the sound of the tocsin. But an insurrectionary force is more calculated to embarrass the movements of a regular army, by alarms on their flanks and rear, by cutting off their communications, and destroying their supplies, defending passes, and skirmishing in advantageous positions, than by opposing them in the open field. The Papal army, consisting of about seven or eight thousand men, were encamped on the river Senio, which runs on the southward of the town of Imola, to dispute the passage. The banks were defended with cannon; but the river being unusually low, the French crossed about a league and a half higher up than the position of the Roman army, which, taken in the rear, fled in every direction, after a short resistance. A few hundreds were killed, among whom were several monks, who, holding the crucifix in their hand, had placed themselves in the ranks to encourage the soldiers. Faenza stood out and was taken by storm; but the soldiers were withheld from pillage by the generosity or prudence of Napoleon,[248] and he dismissed the prisoners of war[249] to carry into the interior of the country the news of their own defeat, of the irresistible superiority of the French army, and of the clemency of their general.[250]

Feb. 4.

Next day, three thousand of the Papal troops, occupying an advantageous position in front of Ancona, and commanded by Colli, were made prisoners without firing a shot; and Ancona was taken after slight resistance, though a place of some strength. A curious piece of priestcraft had been played off in this town, to encourage the people to resistance. A miraculous image was seen to shed tears, and the French artists could not discover the mode in which the trick was managed until the image was brought to headquarters, when a glass shrine, by which the illusion was managed, was removed. The Madonna was sent back to the church which owned her, but apparently had become reconciled to the foreign visitors, and dried her tears in consequence of her interview with Buonaparte.[251]

CAPTURE OF LORETTO.