To Italy, then, belongs the honor of having given to the Western world the real coffee house, although the French and Austrians greatly improved upon it. It was not long after its beginning that nearly every shop on the Piazza di San Marco in Venice was a caffè[41]. Near the Piazza was the Caffè della Ponte dell' Angelo, where in 1792 died the dog Tabacchio, celebrated by Vincenzo Formaleoni in a satirical eulogy that is a parody of the oration of Ubaldo Bregolini upon the death of Angelo Emo.
In the Caffè della Spaderia, kept by Marco Ancilloto, some radicals proposed to open a reading-room to encourage the spread of liberal ideas. The inquisitors sent a foot-soldier to notify the proprietor that he should inform the first person entering the room that he was to present himself before their tribunal. The idea was thereupon abandoned.
Goldoni in a Venetian Caffè
From a painting by P. Longhi
Among other celebrated coffee houses was the one called Menegazzo, from the name of the rotund proprietor, Menico. This place was much frequented by men of letters; and heated discussions were common there between Angelo Maria Barbaro, Lorenzo da Ponte, and others of their time.
The coffee house gradually became the common resort of all classes. In the mornings came the merchants, lawyers, physicians, brokers, workers, and wandering venders; in the afternoons, and until the late hours of the nights, the leisure classes, including the ladies.
For the most part, the rooms of the first Italian caffè were low, simple, unadorned, without windows, and only poorly illuminated by tremulous and uncertain lights. Within them, however, joyous throngs passed to and fro, clad in varicolored garments, men and women chatting in groups here and there, and always above the buzz there were to be heard such choice bits of scandal as made worthwhile a visit to the coffee house. Smaller rooms were devoted to gaming.
In the "little square" described by Goldoni[42] in his comedy The Coffee House, where the combined barber-shop and gambling house was located, Don Marzio, that marvelous type of slanderous old romancer, is shown as one typical of the period, for Goldoni was a satirist. The other characters of the play were also drawn from the types then to be seen every day in the coffee houses on the Piazza.