Page [41]
- Harmony by the use of lower-case, [18]
- Harmony of type-faces and borders, [19]
- An architectural subject treated appropriately, [20] (insert)
- A booklet cover suggestive of the subject, [21] (insert)
- Cover suggested by old lock-plate, [22]
- An old lock-plate, [23]
- Inscription on a Roman arch, [24]
- Cover-page for a catalog of books, [25]
- A plain page for a plain purpose, [26]
- Treatment appropriate for a church program, [27-a]
- Portion of a page of an old manuscript missal, [27-b]
- Cover-page for a catalog of decorative materials, [28]
- The Colonial arch, [29]
- Title-page in semi-Colonial style, [30]
TONE AND CONTRAST
Page [47]
- Contrast in color and tone, [31]
- Uniform tone and contrast of black and white, [32]
- Four ornaments, each of a different depth of tone, used in the construction of four pages, [33], [34], [35], [36], [37]
- Extremes of tone on book pages, [38], [39]
- Blending of illustration and text, [40]
- Spotted black tone of border and text, [41]
- Blending of illustration and type-face, [42]
- Uniform tone in classic typography, [43] (insert)
- A study in uniform tone, [44] (insert)
- Tone-blending of initial, headpiece and text, [45]
- Emphasis of parts to be printed in light color, [46], [47]
- Display lines should match the border in tone, [48]
- Uniform tone by equal spacing, [49]
PROPORTION, BALANCE AND SPACING
Page [53]
- One method of determining the page length, [50]
- Another method, [51]
- Three widths of type-faces, [52]
- Type page in which vertical lines predominate, [53]
- An architectural comparison, [54]
- The conventional page shape, [55]
- Type page in which horizontal lines predominate, [56]
- An architectural comparison, [57]
- Page in which ornament, border and type-face are in proportion, [58] (insert)
- Pages in which the type-face is not in proportion, [59], [60]
- Mismated type-faces and borders, [61]
- Vertical lines proper, [62] (insert)
- Horizontal lines not suitable, [63]
- A display line surrounded by other type lines must be larger, [64], [65]
- Type proportionately too large, [66]
- Type proportionately too small, [67]
- A proportion that is about right, [68]
- Out-of-center balance on a card, [69]
- Type grouped unusually high, [70]
- Exact center is too low, [71]
- The point of vertical balance, [72]
- An architectural example of out-of-center balance, [73]
- A disorderly arrangement, [74]
- An ornament that balances with the design, [75]
- Out-of-center balance on an announcement, [76]
- The effect of horizontal lines in a type page, and how it is avoided, [77], [78]
- Spacing letters to obtain even tone, [79]
- Emphasis obtained by letterspacing, [80]
- The obsolete practice of spreading the lines over the page, [81]
- The modern practice of grouping the type lines, [82]
ORNAMENTATION
Page [59]